Main
- books.jibble.org
My Books
- IRC Hacks
Misc. Articles
- Meaning of Jibble
- M4 Su Doku
- Computer Scrapbooking
- Setting up Java
- Bootable Java
- Cookies in Java
- Dynamic Graphs
- Social Shakespeare
External Links
- Paul Mutton
- Jibble Photo Gallery
- Jibble Forums
- Google Landmarks
- Jibble Shop
- Free Books
- Intershot Ltd
|
books.jibble.org
Previous Page
| Next Page
Page 6
SECT. II.
There is no Kind of polite Writing that seems to require a deeper
Knowledge, a livelier Imagination, and a happier Turn of Expression
than the Characteristic. Human Nature, in its various Forms and
Affections, is the Subject; and he who wou'd attempt a Work of this
Kind, with some assurance of Success, must not only study other Men;
he has a more difficult Task to perform; he must study himself. The
deep and dark Recesses of the Heart must be penetrated, to discover
how Nature is disguis'd into Art, and how Art puts on the Appearance
of Nature.--This Knowledge is great; 'tis the Perfection of Moral
Philosophy; 'tis an inestimable Treasure: But yet if it shou'd fall
into the Hands of one, who wants proper Abilities to communicate his
Knowledge to the World, it wou'd be of no Service but to the Owner: It
wou'd make him, indeed, an able Philosopher, but not an able Writer of
Characters.
The Mind has its peculiar Features as well as the Body; and these
must be represented in their genuine and native Colours, that so the
Picture may strike, and every Reader, who is concern'd in the Work,
may presently discover himself; and those, who are unconcern'd may,
nevertheless, immediately perceive a just Correspondence between that
Piece and Nature.
Every Action has its proper Thought, and every Thought its proper
Expression. And these Correspondences are not imaginary, but have a
real Foundation in Nature: For when any one of these is wanting, the
whole is lame and defective, but when they all meet and conspire
together, the Character is then genuine and compleat, the Thing
or Person design'd is drawn to the Life, and the Reader is left
uncertain, whether the Character, that lies before him, is an Effect
of Art, or a real Appearance of Nature.--A Master-Piece of this Kind,
requires the Hand of one who is a Critic in Men and Manners, a Critic
in Thoughts, and a Critic in Language.
A superficial Knowledge of human Nature, will never qualify a Man to
be a Writer of Characters. He must be a Master of the Science; and
be able to lead a Reader, knowingly, thro' that Labyrinth of the
Passions, which fill the Heart of Man, and make him either a noble or
a despicable Creature. For tho' some, who have never attempted any
thing of this kind, may think it an easy Matter to write two or three
Pages of Morality with Spirit, to describe an Action, a Passion, a
Manner; yet had they made the Experiment, the Event wou'd not have
answer'd their Expectation, and they wou'd have found, that this easy
Work was more difficult than they, at first, imagin'd.
The Features of every single Passion must be known; the Relation which
that Passion bears to another, must be discover'd; and the Harmony and
Discord which result from them must be felt. Many have studied these
Things, but few have thoroughly understood them. The Labour is vast;
'tis almost infinite; and yet without a Knowledge of these Things,
'twill be impossible ever to draw a Character so to the Life, as that
it shall hit one Person, and him only.
We have all of us different Souls, and our Souls have Affections
as different from one another, as our outward Faces are in their
Lineaments. Each Man contains a little World within himself, and
every Heart is a new World. We cannot therefore attain to a perfect
Knowledge of human Nature, by studying others or our selves alone, but
by studying both. 'Tis this Knowledge which sets the Philosopher above
the Peasant, and gives the Preference to one Author above another.
This Knowledge has a Force, something like to that of Magic Charms: by
the help of it one, who is Master of the Science, can turn Men inside
outwards, and expose them to the Eyes of the World, as they really
are, and not as they wou'd fain appear to be. By the help of this
Knowledge an intelligent Writer can form to his Reader the most
agreeable, most instructive Entertainment that can possibly be
desir'd; transport him, with the greatest Ease imaginable, from the
Solitude of his Chamber to Places of the greatest Concourse; there to
see and learn the Virtues of Men; there to see and shun their Vices,
without any danger of being corrupted by the Contagion of a real
Commerce.
How absolutely necessary a thorough Insight into the Heart and
Passions of Man is to a Writer of Characters, will be more evident by
descending to some Particulars, and pointing out some of those nice
Circumstances, which a Writer of Characters must accurately observe,
and by which his Capacity in this Way may be easily judg'd
of.
Previous Page
| Next Page
|
|