The Exiles and Other Stories by Richard Harding Davis


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Page 51

There was a sharp knock at the door, which Marion in her excitement
had left ajar, and Prentiss threw it wide open with an impressive
sweep, as though he were announcing royalty. "Mr. Charles Wimpole," he
said.

The actor-manager stopped in the doorway bowing gracefully, his hat
held before him and his hand on his stick as though it were resting on
a foil. He had the face and carriage of a gallant of the days of
Congreve, and he wore his modern frock-coat with as much distinction
as if it were of silk and lace. He was evidently amused. "I couldn't
help overhearing the last line," he said, smiling. "It gives me a good
entrance."

Marion gazed at him blankly. "Oh," she gasped, "we--we--were just
talking about you."

"If you hadn't mentioned my name," the actor said, "I should never
have guessed it. And this is Mr. Carroll, I hope."

The great man was rather pleased with the situation. As he read it, it
struck him as possessing strong dramatic possibilities: Carroll was
the struggling author on the verge of starvation; Marion, his
sweetheart, flying to him gave him hope; and he was the good fairy
arriving in the nick of time to set everything right and to make the
young people happy and prosperous. He rather fancied himself in the
part of the good fairy, and as he seated himself he bowed to them both
in a manner which was charmingly inclusive and confidential.

"Miss Cavendish, I imagine, has already warned you that you might
expect a visit from me," he said, tentatively. Carroll nodded. He was
too much concerned to interrupt.

"Then I need only tell you," Wimpole continued, "that I got up at an
absurd hour this morning to read your play; that I did read it; that I
like it immensely--and that if we can come to terms I shall produce
it. I shall produce it at once, within a fortnight or three weeks."

Carroll was staring at him intently and continued doing so after
Wimpole had finished speaking. The actor felt he had somehow missed
his point, or that Carroll could not have understood him, and
repeated, "I say I shall put it in rehearsal at once."

Carroll rose abruptly, and pushed back his chair. "I should be very
glad," he murmured, and strode over to the window, where he stood with
his back turned to his guests. Wimpole looked after him with a kindly
smile and nodded his head appreciatively. He had produced even a
greater effect than his lines seemed to warrant. When he spoke again,
it was quite simply, and sincerely, and though he spoke for Carroll's
benefit, he addressed himself to Marion.

"You were quite right last night," he said; "it is a most charming
piece of work. I am really extremely grateful to you for bringing it
to my notice." He rose, and going to Carroll, put his hand on his
shoulder. "My boy," he said, "I congratulate you. I should like to be
your age, and to have written that play. Come to my theatre to-morrow
and we will talk terms. Talk it over first with your friends, so that
I shan't rob you. Do you think you would prefer a lump sum now, and so
be done with it altogether, or trust that the royalties may--"

"Royalties," prompted Marion, in an eager aside.

The men laughed. "Quite right," Wimpole assented, good-humoredly;
"it's a poor sportsman who doesn't back his own horse. Well, then,
until to-morrow."

"But," Carroll began, "one moment, please. I haven't thanked you."

"My dear boy," cried Wimpole, waving him away with his stick, "it is I
who have to thank you."

"And--and there is a condition," Carroll said, "which goes with the
play. It is that Miss Cavendish is to have the part of _Nancy_."

Wimpole looked serious and considered for a moment.

"_Nancy_," he said, "the girl who interferes--a very good part. I
have cast Miss Maddox for it in my mind, but, of course, if the author
insists--"

Marion, with her elbows on the table, clasped her hands appealingly
before her.

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Books | Photos | Paul Mutton | Fri 16th Jan 2026, 19:09