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Page 50
She read the letter with an anxious pride and pleasure in each word
that was entirely new. Philip's recriminations did not hurt her, they
were the sign that he cared; nor did his determination not to speak of
his love to her hurt her, for she believed him when he said that he
would always care. She read the letter twice, and then sat for some
time considering the kind of letter Philip would have written had he
known her secret--had he known that the ring he had abandoned was now
upon her finger.
She rose and, crossing to a desk, placed the letter in a drawer, and
then took it out again and reread the last page. When she had finished
it she was smiling. For a moment she stood irresolute, and then,
moving slowly toward the centre-table, cast a guilty look about her
and, raising her hands, lifted her veil and half withdrew the pins
that fastened her hat.
"Philip," she began, in a frightened whisper, "I have--I have come
to--"
The sentence ended in a cry of protest, and she rushed across the room
as though she were running from herself. She was blushing violently.
"Never!" she cried, as she pulled open the door; "I could never do
it--never!"
The following afternoon, when Helen was to come to tea, Carroll
decided that he would receive her with all the old friendliness, but
that he must be careful to subdue all emotion.
He was really deeply hurt at her treatment, and had it not been that
she came on her own invitation he would not of his own accord have
sought to see her. In consequence, he rather welcomed than otherwise
the arrival of Marion Cavendish, who came a half-hour before Helen was
expected, and who followed a hasty knock with a precipitate entrance.
"Sit down," she commanded, breathlessly, "and listen. I've been at
rehearsal all day, or I'd have been here before you were awake." She
seated herself nervously and nodded her head at Carroll in an excited
and mysterious manner.
"What is it?" he asked. "Have you and Reggie--"
"Listen," Marion repeated. "Our fortunes are made; that is what's the
matter--and I've made them. If you took half the interest in your work
I do, you'd have made yours long ago. Last night," she began,
impressively, "I went to a large supper at the Savoy, and I sat next
to Charley Wimpole. He came in late, after everybody had finished, and
I attacked him while he was eating his supper. He said he had been
rehearsing 'Caste' after the performance; that they've put it on as a
stop-gap on account of the failure of 'The Triflers,' and that he knew
revivals were of no use; that he would give any sum for a good modern
comedy. That was my cue, and I told him I knew of a better comedy than
any he had produced at his theatre in five years, and that it was
going begging. He laughed, and asked where was he to find this
wonderful comedy, and I said, 'It's been in your safe for the last two
months and you haven't read it.' He said, 'Indeed, how do you know
that?' and I said, 'Because if you'd read it, it wouldn't be in your
safe, but on your stage.' So he asked me what the play was about, and
I told him the plot and what sort of a part his was, and some of his
scenes, and he began to take notice. He forgot his supper, and very
soon he grew so interested that he turned his chair round and kept
eying my supper-card to find out who I was, and at last remembered
seeing me in 'The New Boy'--and a rotten part it was, too--but he
remembered it, and he told me to go on and tell him more about your
play. So I recited it, bit by bit, and he laughed in all the right
places and got very much excited, and said finally that he would read
it the first thing this morning." Marion paused, breathlessly. "Oh,
yes, and he wrote your address on his cuff," she added, with the air
of delivering a complete and convincing climax.
Carroll stared at her and pulled excitedly on his pipe.
"Oh, Marion!" he gasped, "suppose he should? He won't, though," he
added, but eying her eagerly and inviting contradiction.
"He will," she answered, stoutly, "if he reads it."
"The other managers read it," Carroll suggested, doubtfully.
"Yes, but what do they know?" Marion returned, loftily. "He knows.
Charles Wimpole is the only intelligent actor-manager in London."
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