Tender Buttons by Gertrude Stein


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Page 12

Any space is not quiet it is so likely to be shiny. Darkness very dark
darkness is sectional. There is a way to see in onion and surely very
surely rhubarb and a tomato, surely very surely there is that seeding. A
little thing in is a little thing.

Mud and water were not present and not any more of either. Silk and
stockings were not present and not any more of either. A receptacle and
a symbol and no monster were present and no more. This made a piece
show and was it a kindness, it can be asked was it a kindness to have it
warmer, was it a kindness and does gliding mean more. Does it.

Does it dirty a ceiling. It does not. Is it dainty, it is if prices are
sweet. Is it lamentable, it is not if there is no undertaker. Is it
curious, it is not when there is youth. All this makes a line, it even
makes makes no more. All this makes cherries. The reason that there is a
suggestion in vanity is due to this that there is a burst of mixed
music.

A temptation any temptation is an exclamation if there are misdeeds and
little bones. It is not astonishing that bones mingle as they vary not
at all and in any case why is a bone outstanding, it is so because the
circumstance that does not make a cake and character is so easily
churned and cherished.

Mouse and mountain and a quiver, a quaint statue and pain in an exterior
and silence more silence louder shows salmon a mischief intender. A
cake, a real salve made of mutton and liquor, a specially retained
rinsing and an established cork and blazing, this which resignation
influences and restrains, restrains more altogether. A sign is the
specimen spoken.

A meal in mutton, mutton, why is lamb cheaper, it is cheaper because so
little is more. Lecture, lecture and repeat instruction.


BREAKFAST.

A change, a final change includes potatoes. This is no authority for the
abuse of cheese. What language can instruct any fellow.

A shining breakfast, a breakfast shining, no dispute, no practice,
nothing, nothing at all.

A sudden slice changes the whole plate, it does so suddenly.

An imitation, more imitation, imitation succeed imitations.

Anything that is decent, anything that is present, a calm and a cook and
more singularly still a shelter, all these show the need of clamor. What
is the custom, the custom is in the centre.

What is a loving tongue and pepper and more fish than there is when
tears many tears are necessary. The tongue and the salmon, there is not
salmon when brown is a color, there is salmon when there is no meaning
to an early morning being pleasanter. There is no salmon, there are no
tea-cups, there are the same kind of mushes as are used as stomachers
by the eating hopes that makes eggs delicious. Drink is likely to stir a
certain respect for an egg cup and more water melon than was ever eaten
yesterday. Beer is neglected and cocoanut is famous. Coffee all coffee
and a sample of soup all soup these are the choice of a baker. A white
cup means a wedding. A wet cup means a vacation. A strong cup means an
especial regulation. A single cup means a capital arrangement between
the drawer and the place that is open.

Price a price is not in language, it is not in custom, it is not in
praise.

A colored loss, why is there no leisure. If the persecution is so
outrageous that nothing is solemn is there any occasion for persuasion.

A grey turn to a top and bottom, a silent pocketful of much heating, all
the pliable succession of surrendering makes an ingenious joy.

A breeze in a jar and even then silence, a special anticipation in a
rack, a gurgle a whole gurgle and more cheese than almost anything, is
this an astonishment, does this incline more than the original division
between a tray and a talking arrangement and even then a calling into
another room gently with some chicken in any way.

A bent way that is a way to declare that the best is all together, a
bent way shows no result, it shows a slight restraint, it shows a
necessity for retraction.

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Books | Photos | Paul Mutton | Thu 23rd Oct 2025, 23:35