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Page 11
A satin sight, what is a trick, no trick is mountainous and the color,
all the rush is in the blood.
Bargaining for a little, bargain for a touch, a liberty, an
estrangement, a characteristic turkey.
Please spice, please no name, place a whole weight, sink into a standard
rising, raise a circle, choose a right around, make the resonance
accounted and gather green any collar.
To bury a slender chicken, to raise an old feather, to surround a
garland and to bake a pole splinter, to suggest a repose and to settle
simply, to surrender one another, to succeed saving simpler, to satisfy
a singularity and not to be blinder, to sugar nothing darker and to read
redder, to have the color better, to sort out dinner, to remain
together, to surprise no sinner, to curve nothing sweeter, to continue
thinner, to increase in resting recreation to design string not dimmer.
Cloudiness what is cloudiness, is it a lining, is it a roll, is it
melting.
The sooner there is jerking, the sooner freshness is tender, the sooner
the round it is not round the sooner it is withdrawn in cutting, the
sooner the measure means service, the sooner there is chinking, the
sooner there is sadder than salad, the sooner there is none do her, the
sooner there is no choice, the sooner there is a gloom freer, the same
sooner and more sooner, this is no error in hurry and in pressure and in
opposition to consideration.
A recital, what is a recital, it is an organ and use does not strengthen
valor, it soothes medicine.
A transfer, a large transfer, a little transfer, some transfer, clouds
and tracks do transfer, a transfer is not neglected.
Pride, when is there perfect pretence, there is no more than yesterday
and ordinary.
A sentence of a vagueness that is violence is authority and a mission
and stumbling and also certainly also a prison. Calmness, calm is beside
the plate and in way in. There is no turn in terror. There is no volume
in sound.
There is coagulation in cold and there is none in prudence. Something
is preserved and the evening is long and the colder spring has sudden
shadows in a sun. All the stain is tender and lilacs really lilacs are
disturbed. Why is the perfect re�stablishment practiced and prized, why
is it composed. The result the pure result is juice and size and baking
and exhibition and nonchalance and sacrifice and volume and a section in
division and the surrounding recognition and horticulture and no murmur.
This is a result. There is no superposition and circumstance, there is
hardness and a reason and the rest and remainder. There is no delight
and no mathematics.
MUTTON.
A letter which can wither, a learning which can suffer and an outrage
which is simultaneous is principal.
Student, students are merciful and recognised they chew something.
Hate rests that is solid and sparse and all in a shape and largely very
largely. Interleaved and successive and a sample of smell all this makes
a certainty a shade.
Light curls very light curls have no more curliness than soup. This is
not a subject.
Change a single stream of denting and change it hurriedly, what does it
express, it expresses nausea. Like a very strange likeness and pink,
like that and not more like that than the same resemblance and not more
like that than no middle space in cutting.
An eye glass, what is an eye glass, it is water. A splendid specimen,
what is it when it is little and tender so that there are parts. A
centre can place and four are no more and two and two are not middle.
Melting and not minding, safety and powder, a particular recollection
and a sincere solitude all this makes a shunning so thorough and so
unrepeated and surely if there is anything left it is a bone. It is not
solitary.
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