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Page 3
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
The Project gratefully accepts contributions in money, time,
scanning machines, OCR software, public domain etexts, royalty
free copyright licenses, and every other sort of contribution
you can think of. Money should be paid to "Project Gutenberg
Association / Carnegie-Mellon University".
*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*
Scanned and proofread by Tim O'Connell <tloc@earthlink.net>
Note: Many of the authors spellings follow older, obsolete
or intentionally incorrect practice.
OPTIONS
BY
O HENRY
CONTENTS
"The Rose of Dixie"
The Third Ingredient
The Hiding of Black Bill
Schools and Schools
Thimble, Thimble
Supply and Demand
Buried Treasure
To Him Who Waits
He Also Serves
The Moment of Victory
The Head-Hunter
No Story
The Higher Pragmatism
Best-Seller
Rus in Urbe
A Poor Rule
OPTIONS
"THE ROSE OF DIXIE"
When The Rose of Dixie magazine was started by a stock company in
Toombs City, Georgia, there was never but one candidate for its chief
editorial position in the minds of its owners. Col. Aquila Telfair
was the man for the place. By all the rights of learning, family,
reputation, and Southern traditions, he was its foreordained, fit, and
logical editor. So, a committee of the patriotic Georgia citizens who
had subscribed the founding fund of $100,000 called upon Colonel
Telfair at his residence, Cedar Heights, fearful lest the enterprise
and the South should suffer by his possible refusal.
The colonel received them in his great library, where he spent most of
his days. The library had descended to him from his father. It
contained ten thousand volumes, some of which had been published as
late as the year 1861. When the deputation arrived, Colonel Telfair
was seated at his massive white-pine centre-table, reading Burton's
Anatomy of Melancholy. He arose and shook hands punctiliously with
each member of the committee. If you were familiar with The Rose of
Dixie you will remember the colonel's portrait, which appeared in it
from time to time. You could not forget the long, carefully brushed
white hair; the hooked, high-bridged nose, slightly twisted to the
left; the keen eyes under the still black eyebrows; the classic mouth
beneath the drooping white mustache, slightly frazzled at the ends.
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