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Page 64
"It was with a hopeless sense of illness of ease that this unhappy one
reached the day on which the printed leaves already alluded to would
make known their deliberate opinion of his writing, the extremity of
his hope being that some would at least credit him with honourable
motives, and perhaps a knowledge that if the inspired Lo Kuan Chan had
never been born the entire matter might have been brought to a very
different conclusion. Alas! only one among the many printed leaves
which made reference to the venture contained any words of friendship
or encouragement. This benevolent exception was sent forth from a city
in the extreme Northern Province of the Empire, and contained many
inspiring though delicately guarded messages of hope for the one to
whom they gracefully alluded as 'this undoubtedly youthful, but
nevertheless, distinctly promising writer of books.' While admitting
that altogether they found the production undeniably tedious, they
claimed to have discovered indications of an obvious talent, and
therefore they unhesitatingly counselled the person in question to
take courage at the prospect of a moderate competency which was
certainly within his grasp if he restrained his somewhat
over-ambitious impulses and closely observed the simple subjects and
manner of expression of their own Chang Chow, whose 'Lines to a
Wayside Chrysanthemum,' 'Mongolians who Have,' and several other
composed pieces, they then set forth. Although it became plain that
the writer of this amiably devised notice was, like this incapable
person, entirely unacquainted with the masterpieces of Lo Kuan Chang,
yet the indisputable fact remained that, entirely on its merit, the
work had been greeted with undoubted enthusiasm, so that after
purchasing many examples of the refined printed leaf containing it,
this person sat far into the night continually reading over the one
unprejudiced and discriminating expression.
"All the other printed leaves displayed a complete absence of good
taste in dealing with the matter. One boldly asserted that the entire
circumstance was the outcome of a foolish jest or wager on the part of
a person who possessed a million taels; another predicted that it was
a cunning and elaborately thought-out method of obtaining the
attention of the people on the part of certain persons who claimed to
vend a reliable and fragrantly-scented cleansing substance. The
/Valley of Hoang Rose Leaves and Sweetness/ hoped, in a spirit of no
sincerity, that the ingenious Kai Lung would not rest on his
tea-leaves, but would soon send forth an equally entertaining amended
example of the /Sayings of Confucious/ and other sacred works, while
the /Pure Essence of the Seven Days' Happenings/ merely printed side
by side portions from the two books under the large inscription,
'IS THERE REALLY ANY NEED FOR US TO EXPRESS OURSELVES MORE CLEARLY?'
"The disappointment both as regards public esteem and taels--for,
after the manner in which the work had been received by those who
advise on such productions, not a single example was purchased--threw
this ill-destined individual into a condition of most unendurable
depression, from which he was only aroused by a remarkable example of
the unfailing wisdom of the proverb which says 'Before hastening to
secure a possible reward of five taels by dragging an unobservant
person away from a falling building, examine well his features lest
you find, when too late, that it is one to whom you are indebted for
double that amount.' Disappointed in the hope of securing large gains
from the sale of his great work, this person now turned his attention
again to his former means of living, only to find, however, that the
discredit in which he had become involved even attached itself to his
concise sentence; for in place of the remunerative and honourable
manner in which it was formerly received, it was now regarded on all
hands with open suspicion. Instead of meekly kow-towing to an
evidently pre-arranged doom, the last misfortune aroused this usually
resigned story-teller to an ungovernable frenzy. Regarding the
accomplished but at the same time exceedingly over-productive Lo Kuan
Chang as the beginning of all his evils, he took a solemn oath as a
mark of disapproval that he had not been content to inscribe on paper
only half of his brilliant thoughts, leaving the other half for the
benefit of this hard-striving and equally well-endowed individual, in
which case there would have been a sufficiency of taels and of fame
for both.
"For a very considerable space of time this person could conceive no
method by which he might attain his object. At length, however, as a
result of very keen and subtle intellectual searching, and many
well-selected sacrifices, it was conveyed by means of a dream that one
very ingenious yet simple way was possible. The renowned and
universally-admired writings of the distinguished Lo Kuan for the most
part take their action within a few dynasties of their creator's own
time: all that remained for this inventive person to accomplish,
therefore, was to trace out the entire matter, making the words and
speeches to proceed from the mouths of those who existed in still
earlier periods. By this crafty method it would at once appear as
though the not-too-original Lo Kuan had been indebted to one who came
before him for all his most subtle thoughts, and, in consequence, his
tomb would become dishonoured and his memory execrated. Without any
delay this person cheerfully set himself to the somewhat laborious
task before him. Lo Kuan's well-known exclamation of the Emperor Tsing
on the battlefield of Shih-ho, 'A sedan-chair! a sedan-chair! This
person will unhesitatingly exchange his entire and well-regulated
Empire for such an article,' was attributed to an Emperor who lived
several thousand years before the treacherous and unpopular Tsing. The
new matter of a no less frequently quoted portion ran: 'O nobly
intentioned but nevertheless exceedingly morose Tung-shin, the object
before you is your distinguished and evilly-disposed-of father's
honourably-inspired demon,' the change of a name effecting whatever
alteration was necessary; while the delicately-imagined speech
beginning 'The person who becomes amused at matters resulting from
double-edged knives has assuredly never felt the effect of a
well-directed blow himself' was taken from the mouth of one person and
placed in that of one of his remote ancestors. In such a manner,
without in any great degree altering the matter of Lo Kuan's works,
all the scenes and persons introduced were transferred to much earlier
dynasties than those affected by the incomparable writer himself, the
final effect being to give an air of extreme unoriginality to his
really undoubtedly genuine conceptions.
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