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Page 73
P
PAIN, n. An uncomfortable frame of mind that may have a physical
basis in something that is being done to the body, or may be purely
mental, caused by the good fortune of another.
PAINTING, n. The art of protecting flat surfaces from the weather and
exposing them to the critic.
Formerly, painting and sculpture were combined in the same work:
the ancients painted their statues. The only present alliance between
the two arts is that the modern painter chisels his patrons.
PALACE, n. A fine and costly residence, particularly that of a great
official. The residence of a high dignitary of the Christian Church
is called a palace; that of the Founder of his religion was known as a
field, or wayside. There is progress.
PALM, n. A species of tree having several varieties, of which the
familiar "itching palm" (_Palma hominis_) is most widely distributed
and sedulously cultivated. This noble vegetable exudes a kind of
invisible gum, which may be detected by applying to the bark a piece
of gold or silver. The metal will adhere with remarkable tenacity.
The fruit of the itching palm is so bitter and unsatisfying that a
considerable percentage of it is sometimes given away in what are known
as "benefactions."
PALMISTRY, n. The 947th method (according to Mimbleshaw's
classification) of obtaining money by false pretences. It consists in
"reading character" in the wrinkles made by closing the hand. The
pretence is not altogether false; character can really be read very
accurately in this way, for the wrinkles in every hand submitted
plainly spell the word "dupe." The imposture consists in not reading
it aloud.
PANDEMONIUM, n. Literally, the Place of All the Demons. Most of them
have escaped into politics and finance, and the place is now used as a
lecture hall by the Audible Reformer. When disturbed by his voice the
ancient echoes clamor appropriate responses most gratifying to his
pride of distinction.
PANTALOONS, n. A nether habiliment of the adult civilized male. The
garment is tubular and unprovided with hinges at the points of
flexion. Supposed to have been invented by a humorist. Called
"trousers" by the enlightened and "pants" by the unworthy.
PANTHEISM, n. The doctrine that everything is God, in
contradistinction to the doctrine that God is everything.
PANTOMIME, n. A play in which the story is told without violence to
the language. The least disagreeable form of dramatic action.
PARDON, v. To remit a penalty and restore to the life of crime. To
add to the lure of crime the temptation of ingratitude.
PASSPORT, n. A document treacherously inflicted upon a citizen going
abroad, exposing him as an alien and pointing him out for special
reprobation and outrage.
PAST, n. That part of Eternity with some small fraction of which we
have a slight and regrettable acquaintance. A moving line called the
Present parts it from an imaginary period known as the Future. These
two grand divisions of Eternity, of which the one is continually
effacing the other, are entirely unlike. The one is dark with sorrow
and disappointment, the other bright with prosperity and joy. The
Past is the region of sobs, the Future is the realm of song. In the
one crouches Memory, clad in sackcloth and ashes, mumbling penitential
prayer; in the sunshine of the other Hope flies with a free wing,
beckoning to temples of success and bowers of ease. Yet the Past is
the Future of yesterday, the Future is the Past of to-morrow. They
are one -- the knowledge and the dream.
PASTIME, n. A device for promoting dejection. Gentle exercise for
intellectual debility.
PATIENCE, n. A minor form of despair, disguised as a virtue.
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