Orthodoxy by G. K. Chesterton


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Page 16

It may be added that the same blank and bankruptcy can be observed
in all fierce and terrible types of literature, especially in satire.
Satire may be mad and anarchic, but it presupposes an admitted
superiority in certain things over others; it presupposes a standard.
When little boys in the street laugh at the fatness of some
distinguished journalist, they are unconsciously assuming a standard
of Greek sculpture. They are appealing to the marble Apollo.
And the curious disappearance of satire from our literature is
an instance of the fierce things fading for want of any principle
to be fierce about. Nietzsche had some natural talent for sarcasm:
he could sneer, though he could not laugh; but there is always something
bodiless and without weight in his satire, simply because it has not
any mass of common morality behind it. He is himself more preposterous
than anything he denounces. But, indeed, Nietzsche will stand very
well as the type of the whole of this failure of abstract violence.
The softening of the brain which ultimately overtook him was not
a physical accident. If Nietzsche had not ended in imbecility,
Nietzscheism would end in imbecility. Thinking in isolation
and with pride ends in being an idiot. Every man who will
not have softening of the heart must at last have softening of the brain.

This last attempt to evade intellectualism ends in intellectualism,
and therefore in death. The sortie has failed. The wild worship of
lawlessness and the materialist worship of law end in the same void.
Nietzsche scales staggering mountains, but he turns up ultimately
in Tibet. He sits down beside Tolstoy in the land of nothing
and Nirvana. They are both helpless--one because he must not
grasp anything, and the other because he must not let go of anything.
The Tolstoyan's will is frozen by a Buddhist instinct that all
special actions are evil. But the Nietzscheite's will is quite
equally frozen by his view that all special actions are good;
for if all special actions are good, none of them are special.
They stand at the crossroads, and one hates all the roads and
the other likes all the roads. The result is--well, some things
are not hard to calculate. They stand at the cross-roads.

Here I end (thank God) the first and dullest business
of this book--the rough review of recent thought. After this I
begin to sketch a view of life which may not interest my reader,
but which, at any rate, interests me. In front of me, as I close
this page, is a pile of modern books that I have been turning
over for the purpose--a pile of ingenuity, a pile of futility.
By the accident of my present detachment, I can see the inevitable smash
of the philosophies of Schopenhauer and Tolstoy, Nietzsche and Shaw,
as clearly as an inevitable railway smash could be seen from
a balloon. They are all on the road to the emptiness of the asylum.
For madness may be defined as using mental activity so as to reach
mental helplessness; and they have nearly reached it. He who
thinks he is made of glass, thinks to the destruction of thought;
for glass cannot think. So he who wills to reject nothing,
wills the destruction of will; for will is not only the choice
of something, but the rejection of almost everything. And as I
turn and tumble over the clever, wonderful, tiresome, and useless
modern books, the title of one of them rivets my eye. It is called
"Jeanne d'Arc," by Anatole France. I have only glanced at it,
but a glance was enough to remind me of Renan's "Vie de Jesus."
It has the same strange method of the reverent sceptic. It discredits
supernatural stories that have some foundation, simply by telling
natural stories that have no foundation. Because we cannot believe
in what a saint did, we are to pretend that we know exactly what
he felt. But I do not mention either book in order to criticise it,
but because the accidental combination of the names called up two
startling images of Sanity which blasted all the books before me.
Joan of Arc was not stuck at the cross-roads, either by rejecting
all the paths like Tolstoy, or by accepting them all like Nietzsche.
She chose a path, and went down it like a thunderbolt. Yet Joan,
when I came to think of her, had in her all that was true either in
Tolstoy or Nietzsche, all that was even tolerable in either of them.
I thought of all that is noble in Tolstoy, the pleasure in plain
things, especially in plain pity, the actualities of the earth,
the reverence for the poor, the dignity of the bowed back.
Joan of Arc had all that and with this great addition, that she
endured poverty as well as admiring it; whereas Tolstoy is only a
typical aristocrat trying to find out its secret. And then I thought
of all that was brave and proud and pathetic in poor Nietzsche,
and his mutiny against the emptiness and timidity of our time.
I thought of his cry for the ecstatic equilibrium of danger, his hunger
for the rush of great horses, his cry to arms. Well, Joan of Arc
had all that, and again with this difference, that she did not
praise fighting, but fought. We KNOW that she was not afraid
of an army, while Nietzsche, for all we know, was afraid of a cow.
Tolstoy only praised the peasant; she was the peasant. Nietzsche only
praised the warrior; she was the warrior. She beat them both at
their own antagonistic ideals; she was more gentle than the one,
more violent than the other. Yet she was a perfectly practical person
who did something, while they are wild speculators who do nothing.
It was impossible that the thought should not cross my mind that she
and her faith had perhaps some secret of moral unity and utility
that has been lost. And with that thought came a larger one,
and the colossal figure of her Master had also crossed the theatre
of my thoughts. The same modern difficulty which darkened the
subject-matter of Anatole France also darkened that of Ernest Renan.
Renan also divided his hero's pity from his hero's pugnacity.
Renan even represented the righteous anger at Jerusalem as a mere
nervous breakdown after the idyllic expectations of Galilee.
As if there were any inconsistency between having a love for
humanity and having a hatred for inhumanity! Altruists, with thin,
weak voices, denounce Christ as an egoist. Egoists (with
even thinner and weaker voices) denounce Him as an altruist.
In our present atmosphere such cavils are comprehensible enough.
The love of a hero is more terrible than the hatred of a tyrant.
The hatred of a hero is more generous than the love of a philanthropist.
There is a huge and heroic sanity of which moderns can only collect
the fragments. There is a giant of whom we see only the lopped
arms and legs walking about. They have torn the soul of Christ
into silly strips, labelled egoism and altruism, and they are
equally puzzled by His insane magnificence and His insane meekness.
They have parted His garments among them, and for His vesture they
have cast lots; though the coat was without seam woven from the top
throughout.

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Books | Photos | Paul Mutton | Tue 25th Feb 2025, 4:05