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Page 33
Passepartout made it a point, as he made his purchases, to take
a good look at the city. It was formerly defended by a noble fort,
which has since become a state prison; its commerce has dwindled away,
and Passepartout in vain looked about him for such a bazaar as he used
to frequent in Regent Street. At last he came upon an elderly,
crusty Jew, who sold second-hand articles, and from whom he purchased
a dress of Scotch stuff, a large mantle, and a fine otter-skin pelisse,
for which he did not hesitate to pay seventy-five pounds. He then
returned triumphantly to the station.
The influence to which the priests of Pillaji had subjected Aouda
began gradually to yield, and she became more herself,
so that her fine eyes resumed all their soft Indian expression.
When the poet-king, Ucaf Uddaul, celebrates the charms
of the queen of Ahmehnagara, he speaks thus:
"Her shining tresses, divided in two parts, encircle the harmonious
contour of her white and delicate cheeks, brilliant in their glow
and freshness. Her ebony brows have the form and charm of the bow of Kama,
the god of love, and beneath her long silken lashes the purest reflections
and a celestial light swim, as in the sacred lakes of Himalaya,
in the black pupils of her great clear eyes. Her teeth, fine,
equal, and white, glitter between her smiling lips like dewdrops
in a passion-flower's half-enveloped breast. Her delicately formed ears,
her vermilion hands, her little feet, curved and tender as the lotus-bud,
glitter with the brilliancy of the loveliest pearls of Ceylon,
the most dazzling diamonds of Golconda. Her narrow and supple waist,
which a hand may clasp around, sets forth the outline of her rounded
figure and the beauty of her bosom, where youth in its flower displays
the wealth of its treasures; and beneath the silken folds of her tunic
she seems to have been modelled in pure silver by the godlike hand
of Vicvarcarma, the immortal sculptor."
It is enough to say, without applying this poetical rhapsody to Aouda,
that she was a charming woman, in all the European acceptation of the phrase.
She spoke English with great purity, and the guide had not exaggerated
in saying that the young Parsee had been transformed by her bringing up.
The train was about to start from Allahabad, and Mr. Fogg
proceeded to pay the guide the price agreed upon for his service,
and not a farthing more; which astonished Passepartout,
who remembered all that his master owed to the guide's devotion.
He had, indeed, risked his life in the adventure at Pillaji, and,
if he should be caught afterwards by the Indians, he would with
difficulty escape their vengeance. Kiouni, also, must be disposed of.
What should be done with the elephant, which had been so dearly purchased?
Phileas Fogg had already determined this question.
"Parsee," said he to the guide, "you have been serviceable and devoted.
I have paid for your service, but not for your devotion. Would you like
to have this elephant? He is yours."
The guide's eyes glistened.
"Your honour is giving me a fortune!" cried he.
"Take him, guide," returned Mr. Fogg, "and I shall still be your debtor."
"Good!" exclaimed Passepartout. "Take him, friend. Kiouni is a brave
and faithful beast." And, going up to the elephant, he gave him several
lumps of sugar, saying, "Here, Kiouni, here, here."
The elephant grunted out his satisfaction, and, clasping Passepartout
around the waist with his trunk, lifted him as high as his head.
Passepartout, not in the least alarmed, caressed the animal,
which replaced him gently on the ground.
Soon after, Phileas Fogg, Sir Francis Cromarty, and Passepartout,
installed in a carriage with Aouda, who had the best seat,
were whirling at full speed towards Benares. It was a run of eighty miles,
and was accomplished in two hours. During the journey, the young woman
fully recovered her senses. What was her astonishment to find herself
in this carriage, on the railway, dressed in European habiliments,
and with travellers who were quite strangers to her! Her companions
first set about fully reviving her with a little liquor,
and then Sir Francis narrated to her what had passed,
dwelling upon the courage with which Phileas Fogg
had not hesitated to risk his life to save her, and recounting
the happy sequel of the venture, the result of Passepartout's rash idea.
Mr. Fogg said nothing; while Passepartout, abashed, kept repeating that
"it wasn't worth telling."
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