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Page 44
"As he talked, he had dropped the wrist of Lilama, and she crouched upon
the ground with her hands before her face, whilst Ahpilus continued to
rave, and to pace from the chasm's edge away and back again, in maniac
strides, until he had almost beaten where he paced a pathway. There was
not the slightest necessity for Ahpilus to guard Lilama, for the awful
chasm was more than twice the width that any sane and normal man, even
an athlete, would dare attempt to leap, even to preserve his own life;
and the distance to be traversed to gain a point in the chasm so narrow
that an ordinary man would dare attempt to leap it, was several miles
down the mountain-side; so that Lilama was at least ten miles beyond the
reach of Pym, though less than eighty feet away.
"The mental strain on poor Pym was almost enough to make him a madman.
There strode the maniac, to and from the edge of the abyss,
rhythmically, rarely varying the distance by a yard--twenty yards off,
then back again, then away. On every third or fourth approach he stepped
literally to the edge of the chasm, and glanced down, ten thousand feet
to where the stream below looked like the finest silver thread, lighted
by the dazzling light from the giant crater, reflected into every
smallest fissure. Now and again the madman would lash himself into a
fury, and stop for a moment to gaze at Lilama, who never moved from her
crouching position some ten feet from the canyon's brink. Even Peters,
the stoic, was moved--but moved to anger rather than to grief or fear.
He inwardly chafed, and madly raved, by turns, at the impotency of his
position; whilst Pym seemed frozen into statuesque despair. How much
longer would this scene of terror last? Oh, the thought of that awful
leap into space! The maniac might any moment end the scene--each time as
he approached in that wild rush backward and forward might be the last.
The slightest move, the slightest sound, might precipitate the dire
calamity--and Lilama as well as Pym and Peters seemed to feel this
truth. The madman, like the wild beast, appears to need an extraneous
stimulus, be it ever so slight, to suggest an initiative: the crooking
of a finger, the whispering of a word, may be sufficient, but it must be
something.--Ah! Has the moment come? Has the insane man caught some
sound inaudible to the others? He pauses. Yes, he is going to act.
"'Oh! friend,' wailed Pym to Peters, in a low voice, 'save her, save
her, or where she goes, there go I.'
"Then Peters looks across the chasm, down upon the scene beyond. The
opposite brink at this point is ten or twelve feet lower than the spot
where Pym and Peters stand, which gives them an excellent view of Lilama
and Ahpilus. It is impossible to say just why, but it is obvious that
the time which they dread has come. Ahpilus stands looking at the
beautiful maiden who crouches in front of him; and as he gazes his
powerful form seems to swell, as does that of a wild animal that has
determined to spring upon its prey. His arms move forward to grasp her.
He has no fear of interruption--he has for the moment forgotten the
strangers. He slightly alters his position--his back is toward the
chasm--his hands touch the person of his prey. Lilama partly raises her
head. She glances past the maniac for a last look at her lover. She does
not scream, even as those vise-like hands close upon her, and slowly,
oh, so slowly, but steadily, draw her within that iron embrace--slowly,
slowly, as might a maniac devotee move in the desecration of his idol.
"But why does she not scream? Why are her eyes fastened--not on her
lover--not on the madman, but upon another object? What is that object?
Is it a man? Can any man move as that thing moves? Surely that cannot be
a man, that streak of drab color--yonder thing that casts to the ground
a garment, then shoots backward twenty feet from the abyss--swifter than
a panther, as silent as death, with two balls of living fire glaring
from--from a face? Surely not a human face! Yes, it is a human face. She
does not see the pallid face, the wild eyes of her lover, looking, too,
at that thing--that human embodiment of animal agility. No: she has not
time to look, for though the human eye is quick, that thing is quicker;
and if she take her eye from it for half a second, her gaze will lose
it. She cannot take from it her gaze--she is fascinated. Within the past
second of time an heroic resolve has been formed, and a drama has begun;
in the next two seconds an act in the drama will be completed; in sixty
seconds more, a whole tragedy will be added to the list of human
sorrows.
"No tongue can tell what cannot quite be seen. A rush of color toward
that awful gap; it reaches the edge; it rises in the air and shoots out
over that gulf that might indeed have been the portal of Tartarus. Fifty
feet as flies the bird. It is in the air--it is half-way over--and yet
the maniac has seen it not. But the maniac is turning with his victim in
his arms. The streak of drab has passed forty feet--ten feet further if
it is to reach the other brink--ten thousand if it fails to reach it;
and it has already sunk ten feet in space--with ten feet more of
horizontal distance to cover, it is already on a level with the edge of
the abyss which it must safely reach, or--The maniac has turned; and the
streak of drab has reached the brink--but, ah! below the surface. The
form is that of Peters--the only man who could be in such a situation
yet live on. One of those invincible arms is thrown upon the surface
above the chasm, and those long fingers fasten upon the immovable lava.
And now the madman sees the danger that menaces his design--but too
late, for Peters the unconquerable stands erect between him and the
chasm. Then Ahpilus quickly sets on the ground his living burden; and
Peters, the human bird of passage, risks again his life.
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