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Page 17
Should we be happy, thou and I together,
Lying in love eternally in spring,
Watching the buds unfold that shall not wither,
Hearing the birds calling and answering,
When the leaves stir and all the meadows ring?
Smelling the rich earth steaming in the sun,
Feeling between caresses the light wing
Of the wind whose gracious flight is never done,--
Should we be happy then? happy, elusive One?
But no, here in this fragile flesh abides
The secret of a measureless delight,
Hidden in dying beauty there resides
Something undying, something that takes its flight
When the dust turns to dust, and day to night,
And spring to fall, whose joys in love redeem
Eternally, life's changes and death's blight,
Even as these pale, tender petals seem
A glimpse of infinite beauty, flashed in a passing dream.
Cambridge, 1916
II
The heavy bee burdened the golden clover
Droning away the afternoon of summer,
Deep in the rippling grass I called to you
Under the sky's blue flame.
Then when the day was over,
When petals fell fresh with the falling dew,
Stepped from the dusk a radiant newcomer,
Fled by the waters of the sleeping river,
Swift to the arms of your impatient lover,
Gladly you came.
And the long wind in the cedars will sing of this for ever.
Thin rain of the saddest of Septembers
Bent the tall grasses of the sloping meadows,
But spring was with me in your slender form,
And the frail joy of spring.
Although the chilly embers
Of summer vanished into the gathering storm
And the wind clung to the overhanging shadows,
Fair seemed the spirit's desperate endeavour,
(And even fair to the spirit that remembers)
Joy on the wing!
And the long wind in the cedars will sing of this for ever.
Years, and in slow lugubrious succession
Drop from the trees the leaves' first yellowed leaders,
Autumn is in the air and in the past,
Desolate, utterly.
Sunlight and clouds in hesitant procession,
Laughter and tears, and winter at the last.
There is a battle-music in the cedars,
High on the hills of life the grasses shiver.
Hail, dead reality and living vision,
Thrice hail in memory.
And the long wind in the cedars will sing of this for ever.
Tours, 1918
III
Of days and nights under the living vine,
Memory singing from a tree has given
The plan of my buried heaven,
That I may dig therein as in a mine.
Did I call you, little Vigilant One, under the waning sun?
Did you come barefooted through the dew,
Through the fine dew-drenched grass when the colours faded
Out of the sky?
Who is that shadow holding over you a veil of tempest woven,
Shaded with streaks of cloud and lightning on the edges?
Lean nearer, I fear him, and the sigh
Of the rising wind worries the sedges,
And the cry
Of a white, long-legged bird from the marsh
Cuts through the twilight with a threat of night.
The receding voice is harsh
And echoes in my spirit.
Hark, do you hear it wailing against the hollow rocks of the hill,
As it takes its lonely outgoing towards the sea?
Lean nearer still.
Your silence is an ecstasy of speech,
You are the only white
Unconquered by the overwhelming frown.
Who stands behind you so impassively?
Bid him begone, or let me reach
And tear away his veil. But he is gone.
Who was he? surely no comrade of the dawn,
No lover from an earthly town,
Was he then Love? or Death? . . . but he is gone.
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