Baree, Son of Kazan by James Oliver Curwood


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The Project Gutenberg EBook of Baree, Son of Kazan, by James Oliver Curwood
(#9 in our series by James Oliver Curwood)

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Title: Baree, Son of Kazan

Author: James Oliver Curwood

Release Date: December, 2003 [EBook #4748]
[Yes, we are more than one year ahead of schedule]
[This file was first posted on March 12, 2002]
[Date last updated: July 12, 2005]

Edition: 10

Language: English

Character set encoding: ASCII


Etext prepared by Dianne Bean, Prescott Valley, Arizona.

Baree, Son of Kazan.
James Oliver Curwood.


Since the publication of my two animal books, "Kazan, the Wolf Dog" and
"The Grizzly King," I have received so many hundreds of letters from
friends of wild animal life, all of which were more or less of an
inquiring nature, that I have been encouraged to incorporate in this
preface of the third of my series--"Baree, Son of Kazan"--something
more of my desire and hope in writing of wild life, and something of
the foundation of fact whereupon this and its companion books have been

I have always disliked the preaching of sermons in the pages of
romance. It is like placing a halter about an unsuspecting reader's
neck and dragging him into paths for which he may have no liking. But
if fact and truth produce in the reader's mind a message for himself,
then a work has been done. That is what I hope for in my nature books.
The American people are not and never have been lovers of wild life. As
a nation we have gone after Nature with a gun.

And what right, you may ask, has a confessed slaughterer of wild life
such as I have been to complain? None at all, I assure you. I have
twenty-seven guns--and I have used them all. I stand condemned as
having done more than my share toward extermination. But that does not
lessen the fact that I have learned; and in learning I have come to
believe that if boys and girls and men and women could be brought into
the homes and lives of wild birds and animals as their homes are made
and their lives are lived we would all understand at last that wherever
a heart beats it is very much like our own in the final analysis of
things. To see a bird singing on a twig means but little; but to live a
season with that bird, to be with it in courting days, in matehood and
motherhood, to understand its griefs as well as its gladness means a
great deal. And in my books it is my desire to tell of the lives of the
wild things which I know as they are actually lived. It is not my
desire to humanize them. If we are to love wild animals so much that we
do not want to kill them we MUST KNOW THEM AS THEY ACTUALLY LIVE. And
in their lives, in the facts of their lives, there is so much of real
and honest romance and tragedy, so much that makes them akin to
ourselves that the animal biographer need not step aside from the paths
of actuality to hold one's interest.

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