The Works of Edgar Allan Poe — Volume 4 by Edgar Allan Poe


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Page 12

'Oh, yes! -- Oh, we perceive! Oh, no doubt! The editor over the way
is a genius -- O, my! Oh, goodness, gracious! -- what is this world
coming to? Oh, tempora! Oh, Moses!'

A philippic at once so caustic and so classical, alighted like a
bombshell among the hitherto peaceful citizens of Nopolis. Groups of
excited individuals gathered at the corners of the streets. Every one
awaited, with heartfelt anxiety, the reply of the dignified Smith.
Next morning it appeared as follows:

'We quote from "The Tea-Pot" of yesterday the subjoined paragraph:
"Oh, yes! Oh, we perceive! Oh, no doubt! Oh, my! Oh, goodness! Oh,
tempora! Oh, Moses!" Why, the fellow is all O! That accounts for his
reasoning in a circle, and explains why there is neither beginning
nor end to him, nor to anything he says. We really do not believe the
vagabond can write a word that hasn't an O in it. Wonder if this
O-ing is a habit of his? By-the-by, he came away from Down-East in a
great hurry. Wonder if he O's as much there as he does here? "O! it
is pitiful."'

The indignation of Mr. Bullet-head at these scandalous insinuations,
I shall not attempt to describe. On the eel-skinning principle,
however, he did not seem to be so much incensed at the attack upon
his integrity as one might have imagined. It was the sneer at his
style that drove him to desperation. What! -- he Touch-and-go
Bullet-head! -- not able to write a word without an O in it! He would
soon let the jackanapes see that he was mistaken. Yes! he would let
him see how much he was mistaken, the puppy! He, Touch-and-go
Bullet-head, of Frogpondium, would let Mr. John Smith perceive that
he, Bullet-head, could indite, if it so pleased him, a whole
paragraph -- aye! a whole article -- in which that contemptible vowel
should not once -- not even once -- make its appearance. But no; --
that would be yielding a point to the said John Smith. He,
Bullet-head, would make no alteration in his style, to suit the
caprices of any Mr. Smith in Christendom. Perish so vile a thought!
The O forever; He would persist in the O. He would be as O-wy as O-wy
could be.

Burning with the chivalry of this determination, the great
Touch-and-go, in the next 'Tea-Pot,' came out merely with this simple
but resolute paragraph, in reference to this unhappy affair:

'The editor of the "Tea-Pot" has the honor of advising the editor of
the "Gazette" that he (the "Tea-Pot") will take an opportunity in
tomorrow morning's paper, of convincing him (the "Gazette") that he
(the "Tea-Pot") both can and will be his own master, as regards
style; he (the "Tea-Pot") intending to show him (the "Gazette") the
supreme, and indeed the withering contempt with which the criticism
of him (the "Gazette") inspires the independent bosom of him (the
"TeaPot") by composing for the especial gratification (?) of him (the
"Gazette") a leading article, of some extent, in which the beautiful
vowel -- the emblem of Eternity -- yet so offensive to the
hyper-exquisite delicacy of him (the "Gazette") shall most certainly
not be avoided by his (the "Gazette's") most obedient, humble
servant, the "Tea-Pot." "So much for Buckingham!"'

In fulfilment of the awful threat thus darkly intimated rather than
decidedly enunciated, the great Bullet-head, turning a deaf ear to
all entreaties for 'copy,' and simply requesting his foreman to 'go
to the d-l,' when he (the foreman) assured him (the 'Tea-Pot'!) that
it was high time to 'go to press': turning a deaf ear to everything,
I say, the great Bullet-head sat up until day-break, consuming the
midnight oil, and absorbed in the composition of the really
unparalleled paragraph, which follows:-

'So ho, John! how now? Told you so, you know. Don't crow, another
time, before you're out of the woods! Does your mother know you're
out? Oh, no, no! -- so go home at once, now, John, to your odious old
woods of Concord! Go home to your woods, old owl -- go! You won't!
Oh, poh, poh, don't do so! You've got to go, you know! So go at once,
and don't go slow, for nobody owns you here, you know! Oh! John,
John, if you don't go you're no homo -- no! You're only a fowl, an
owl, a cow, a sow, -- a doll, a poll; a poor, old,
good-for-nothing-to-nobody, log, dog, hog, or frog, come out of a
Concord bog. Cool, now -- cool! Do be cool, you fool! None of your
crowing, old cock! Don't frown so -- don't! Don't hollo, nor howl nor
growl, nor bow-wow-wow! Good Lord, John, how you do look! Told you
so, you know -- but stop rolling your goose of an old poll about so,
and go and drown your sorrows in a bowl!'

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Books | Photos | Paul Mutton | Fri 10th Jan 2025, 13:57