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Page 23
EXERCISES
To cantus firmus _a_ write two counterpoints above and two below in
two-part counterpoint.
Write two original eight-measure phrases in two-part counterpoint.
To cantus firmus _b_ write one example in three-part counterpoint with
continuous movement at the hold. [Fig. 159.]
[Illustration: Fig. 159.]
CANTI FIRMI
[Illustration: Fig. 160.]
LESSON XXXV
To canti firmi _a_ and _b_ write two parts. Write each three times, setting
the cantus firmus in all parts in turn. Write one of the solutions of the
choral with continuous movement at the hold.
CANTI FIRMI
[Illustration: Fig. 161.]
LESSON XXXVI
Write two eight-measure phrases, and one sixteen-measure phrase, of
original counterpoint in three parts.
LESSON XXXVII
FREE HARMONIZATION IN FOUR-PART COUNTERPOINT
[Illustration: Fig. 162.]
EXERCISES
To the cantus firmus write three parts.
Write two sixteen-measure phrases of original four-part counterpoint, one
major and one minor.
CANTUS FIRMUS
[Illustration: Fig. 163.]
LESSON XXXVIII
In this and the following lessons have the parts in some of the exercises
begin one after the other in imitation. [Fig. 151.]
EXERCISES
Write two eight-measure phrases, and one sixteen-measure phrase, of
original four-part counterpoint.
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