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Page 2
LESSON XIX. Fifth Species in One Part. Examples and Exercises.
LESSON XX. Fifth Species (continued). Combining First, Second,
and Fifth; First, Third, and Fifth; First, Fourth, and Fifth;
Fifth in Two Parts. Example and Exercises.
LESSON XXI. Combining the Various Species: Second, Third, and
Fourth; Second, Third, and Fifth; Second, Fourth, and Fifth;
Third, Fifth, and Fifth; Fourth, Fifth, and Fifth. Examples and
Exercises.
LESSON XXII. Fifth Species in All Parts. Examples and Exercises.
SIMPLE COUNTERPOINT IN FOUR PARTS
LESSON XXIII. First Species in All Parts. Examples and Exercises.
LESSON XXIV. Second Species in One Part. Examples and Exercises.
LESSON XXV. Third Species in One Part. Second Species Mixed in
Three Parts. Examples and Exercises.
LESSON XXVI. Third Species (continued). Mixed in Three Parts.
Second Species Continuously in Two Parts. Examples and Exercises.
LESSON XXVII. Fourth Species in One Part. A Cantus Firmus with
First, Second, and Third Species in the Other Three Parts.
Examples and Exercises.
LESSON XXVIII. Fourth Species (continued). A given Cantus Firmus,
with First, Second, and Fourth Species; with First, Third, and
Fourth; with Fourth Species Mixed. Examples and Exercises.
LESSON XXIX. Fifth Species in One Part. Examples and Exercises.
LESSON XXX. Fifth Species in Two Parts. Mixing Second, Third, and
Fourth Species in All Parts. Combining First, Second, Third, and
Fourth Species. Examples and Exercises.
LESSON XXXI. Fifth Species in Three or Four Parts. Examples and
Exercises.
LESSON XXXII. Fifth Species in All Parts, with Imitation.
Examples and Exercises.
FLORID MELODIES AS CANTI FIRMI
LESSON XXXIII. Two-part Florid Counterpoint. Free Harmonization.
Examples and Exercises.
LESSONS XXXIV and XXXV. Three-part Florid Counterpoint. Free
Harmonization. Examples and Exercises.
LESSON XXXVI. Three-part Florid Counterpoint (continued).
Exercise in Original Writing.
LESSONS XXXVII to XL. Four-part Florid Counterpoint, Example and
Exercises.
SIMPLE COUNTERPOINT
LESSON I
Counterpoint is the art of combining two or more melodies of equal melodic
individuality.
In simple counterpoint all parts must remain in the same relative position
to one another.
The Cantus Firmus is a given melodic phrase that is to receive contrapuntal
treatment, that is, one or more parts are to be added above or below it.
The Counterpoint is any part other than the Cantus Firmus.
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