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Page 18
LESSON XIX
FIFTH SPECIES
[Illustration: Fig. 126.]
No suggestions other than have already been given for two- and three-part
counterpoint are necessary for this species.
EXERCISES
To canti firmi _a_ and _b_ write fifth species in one part. Write each
three times, as usual.
CANTI FIRMI
[Illustration: Fig. 127.]
LESSON XX
FIFTH SPECIES (Continued)
EXERCISES
To cantus firmus _a_ write second species in one part and fifth in the
other. [Fig. 128_a_.]
To cantus firmus _b_ write third species in one part and fifth in the
other. [_b_.]
To cantus firmus _c_ write fourth species in one part and fifth in the
other. [_c_.]
To cantus firmus _d_ write fifth species in two parts. [_d_.]
[Illustration: Fig. 128.]
CANTI FIRMI
[Illustration: Fig. 129.]
LESSON XXI
COMBINING THE VARIOUS SPECIES
EXERCISES
Write one eight-measure phrase each, of the following combinations: (1)
2nd, 3rd and 4th species (Fig. 130a); (2) 2nd, 3rd and fifth species (_b_)
(3) 3rd, 5th and 5th species (_c_); (4) 2nd, 4th and 5th species (_d_); (5)
4th, 5th and 5th species (_e_).
[Illustration: Fig. 130.]
LESSON XXII
FIFTH SPECIES IN ALL PARTS
EXERCISES
Write five eight-measure phrases with fifth species in all parts, making
use of imitation at the beginning as in Fig. 131. The imitation need only
be relative and continue for three or four notes. It is also well, when a
part uses a striking melodic figure, to have some other part imitate it
immediately after.
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