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Page 16
In him all Beauties of this Age we see; }
_Etherege_ his Courtship, _Southern_'s Purity; }
The Satir, Wit and Strength of manly _Wicherly_. }
'Tis true, there is some Difference between the Characters which
enter into the Composition of Dramatic Pieces, and those which are
represented by _Characteristic-Writers_; but this Difference is so
small, that I doubt not but he, who is an able Master in one of these
Kinds, would as successfully perform in the other. For, in reality,
the essential Parts of the Characters, in the _Drama_, and in
_Characteristic-Writings_, are the same. They are both an Image of one
Life; a Representation of one Person: All the Diversity lies in the
different Manner of representing the same Image. The _Drama_ presents
to the Eyes of a Spectator an Actor, who speaks and acts as the
Person, whom he represents, is suppos'd to speak and act in real Life.
The _Characteristic_ Writer introduces, in a descriptive manner,
before a Reader, the same Person, as speaking and acting in the same
manner: And both must be perform'd in such a natural and lively
manner, as may deceive the Spectator and Reader, and make them fancy
they see the Person represented or characteris'd.
But tho' no _English_ Author has attempted a Performance in this Kind,
yet it must be confess'd that in some late diurnal Papers we have had
excellent Specimens in the Characteristic-Way. The Papers, which I
mean to point out, are the _Tatlers_ and the _Spectators_. They are of
the miscellaneous Kind, and were design'd for the universal Delight
and Instruction of the _British_ Nation. In these Papers are contained
Abundance of true Wit and _Humour_, lively Descriptions of human
Nature in its various Forms and Disguises, the Praises of Virtue,
and pointed Satir against Vice; and here and there are interspers'd
Characters of Men and Manners compleatly drawn to the Life.--If the
great Authors, who were concerned in the Composition of those Papers,
would have join'd their Abilities to form a Work of this Kind, I doubt
not but it would have been inimitable, and deserv'd the next Place,
in Point of Fame, to that of _Theophrastus_: For this is the highest
Pitch to which Moderns can aspire. A greater Design would be
Presumption, and would only serve to shew the greater Vanity of the
Attempt. An establish'd Reputation of above two thousand Years cannot
be easily shaken. _Theophrastus_ is, and ever will be, an Original in
_Characteristic-Writings_. His Fame still lives in our Memory, and the
Main of his Characters still subsists in our Actions.
_FINIS._
* * * * *
PUBLICATIONS OF THE AUGUSTAN REPRINT SOCIETY
FIRST YEAR (1946-47)
[Transcriber's Note:
Many of the listed titles are or will be available from Project
Gutenberg. Where possible, the e-text number is given in brackets.]
Numbers 1-4 out of print. [#13484, #14528, #14973]
5. Samuel Wesley's _Epistle to a Friend Concerning Poetry_ (1700)
and _Essay on Heroic Poetry_ (1693).
6. _Representation of the Impiety and Immorality of the Stage_
(1704) and _Some Thoughts Concerning the Stage_ (1704). [#15656]
SECOND YEAR (1947-1948)
7. John Gay's _The Present State of Wit_ (1711); and a section on
Wit from _The English Theophrastus_ (1702). [#14800]
8. Rapin's _De Carmine Pastorali_, translated by Creech (1684).
[#14495]
9. T. Hanmer's (?) _Some Remarks on the Tragedy of Hamlet_ (1736).
[#14899]
10. Corbyn Morris' _Essay towards Fixing the True Standards of Wit,
etc._ (1744). [#16233]
11. Thomas Purney's _Discourse on the Pastoral_ (1717). [#15313]
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