Punch, or the London Charivari, Vol. 158, January 28th, 1920 by Various


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Page 12

MAIS LA S�ANCE N'EST PAS ENCORE TERMIN�E.]

* * * * *

[Illustration: _Newly-crowned Cotton King_ (_with the plovers' eggs_).
"'ERE, MY LAD, TAKE THESE DARN THINGS AWAY. THEY'RE 'ARD-BOILED AND
ABSOLUTELY STONE-COLD."]

* * * * *

THE MOO-COW.

I was getting so tired of the syncopated life of town (and it didn't fit in
with my present literary work) that I bribed my old pal Hobson to exchange
residences with me for six months, with option; so now he has my flat in
town, complete with Underground Railway and street noises (to say nothing
of jazz music wherever he goes), and I have his country cottage, old-
fashioned and clean, and a perfectly heavenly silence to listen to. Still,
there _are_ noises, and their comparative infrequency makes them the more
noticeable. There is, for instance, a cow that bothers me more than a
little. It has chosen, or there has been chosen, for its day nursery a
field adjoining my (really Hobson's) garden. It has selected a spot by the
hedge, almost under the study window, as a fit and proper place for its
daily round of mooing.

Possibly this was at Hobson's request. Perhaps he likes the sound of
mooing, or, conceivably, the cow doesn't like Hobson, and moos to annoy
him. But surely it cannot mistake me for him. We are not at all alike. He
is short and dark; I am tall and fair. This has given rise to a question in
my mind: Can cows distinguish between human beings?

Anyway the cow worries me with its continual fog-horn, and I thought I
would write to the owner (a small local dairy-farmer) to see if he could
manage to find another field in which to batten this cow, where it could
moo till it broke its silly tonsils for all I should care; so I indited
this to him:--

MY DEAR SIR,--You have in your entourage a cow that is causing me some
annoyance. It is one of those red-and-white cows (an Angora or Pomeranian
perhaps; I don't know the names of the different breeds, being a town
mouse), and it has horns of which one is worn at an angle of fifteen or
twenty degrees higher than the other. This may help you to identify it. It
possesses, moreover, a moo which is a blend between a ship's siren and a
taxicab's honk syringe. If you haven't heard either of these instruments
you may take my word for them. Further, I think it may really assist you if
I describe its tail. The last two feet of it have become unravelled, and
the upper part is red, with a white patch where the tail is fastened on to
the body.

It is only the moo part of the cow that is annoying me; I like the rest of
it. I am engaged in writing a book on the Dynamic Force of Modern Art, and
a solo on the Moo does not blend well with such labour as mine.

There are hens here at Hillcroft. This remark may seem irrelevant, but not
if you read on. Every time one of these hens brings five-pence-halfpenny
worth of egg into the world it makes a noise commensurate with this feat.
But I contend that even if your cow laid an egg every time it moos (which
it doesn't, so far as my survey reveals) its idiotic bellowing would still
be out of all proportion to the achievement. Even milk at a shilling a
quart scarcely justifies such assertiveness.

My friend Mr. Hobson may, of course, have offended the animal in question,
but even so I cannot see why I should have to put up with its horrible
revenge; which brings me to the real and ultimate reason for troubling you,
and that is, to ask you if you will be so good as to tell the cow to
desist, and, in case of its refusal, to remove it to other quarters. If the
annoyance continues I cannot answer for the consequences.

Thanking you in anticipation,
I am, Yours faithfully,
ARTHUR K. WILKINSON.

The reply ran:--

DEER SIR,--i am not a scollard and can't understand more'n 'alf your letter
if you don't lik my cow why not go back were you cum from i dunno what you
mean by consequences but if you lay 'ands on my cow i'll 'ave the lor of
you.

Yours obedient HENRY GIBBS.

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