Some Old Time Beauties by Thomson Willing


Main
- books.jibble.org



My Books
- IRC Hacks

Misc. Articles
- Meaning of Jibble
- M4 Su Doku
- Computer Scrapbooking
- Setting up Java
- Bootable Java
- Cookies in Java
- Dynamic Graphs
- Social Shakespeare

External Links
- Paul Mutton
- Jibble Photo Gallery
- Jibble Forums
- Google Landmarks
- Jibble Shop
- Free Books
- Intershot Ltd

books.jibble.org

Previous Page | Next Page

Page 4

"From clime to clime, wher'e'r war's trumpets sound,
The wanderer went; yet, Caledonia, still
Thine was his thought in march and tented ground;
He dreamed mid Alpine cliffs of Athole's hill,
And heard in Ebro's roar his Lynedoch's lovely rill.

"O hero of a race renowned of old,
Whose war-cry oft has waked the battle swell!"

Old Dr. John Brown, of Edinburgh, wrote of a late Duke of Athole:
"Courage, endurance, stanchness, fidelity, and warmth of heart,
simplicity, and downrightness, were his staples." They are ever the
staples of the Scotch character, and they were all pre-eminent in Sir
Thomas. His life was noble, and his affection was faithful to its
early troth.

A pathetic history attaches to this picture of Mrs. Graham: When its
subject died, the sorrowing husband had it bricked up where it hung,
and it was only by an accident that it was discovered at his death, in
1843. It now hangs in the National Gallery of Scotland at Edinburgh.
The present reproduction shows but a part of the picture, the figure
being full length. It has been excellently reproduced in etching by
both Flameng and Waltner.

In 1885, a most comprehensive exhibition of Gainsborough's works was
made at the Grosvenor Gallery in London. At it was noted the important
part this painter had played in perpetuating the lineaments, bearing,
graces, and gownings of the great persons of the latter half of the
eighteenth century.

"The lips that laughed an age agone,
The fops, the dukes, the beauties all,
Le Brun that sang and Carr that shone."

There was seen The Hon. Miss Georgiana Spencer, at the age of six, and
again a later portrait of her as the Duchess of Devonshire,--she of
the then irresistibly seductive manners,--and her mother, Countess
Spencer, of whom Walpole wrote as being one of the beauties present at
the coronation of George III., in 1761. There, too, was Anne Luttrell,
daughter of Simon Luttrell, Baron Irnham, who married, first,
Christopher Horton, and, secondly, the Duke of Cumberland, brother of
the king. Of her Walpole wrote: "There was something so bewitching in
her languishing eyes, which she could animate to enchantment if she
pleased, and her coquetry was so active, so varied, and yet so
habitual that it was difficult not to see through it, and yet as
difficult to resist it." And here was another widow who captivated
royalty, Mrs. Fitzherbert, who was a daughter of Walter Smythe of
Bambridge, Hampshire, and married, first, Edward Weld, secondly,
Thomas Fitzherbert of Synnerton, Staffordshire (who died in 1781), and
was said to have been married to the Prince of Wales (George IV.) in
1785. And there also was a more notorious beauty, Miss Grace
Dalrymple, afterwards Mrs. Elliott,--though divorced later, and
becoming the mistress of various aristocrats, notably the Duke of
Orleans.

The Duchess of Montagu, granddaughter of the great Duke of Marlborough
(one of the Churchills,--a family prolific of beauties), was there
seen. Several pictures of the painter's wife (who was a Miss Margaret
Burr), of his youngest daughter, Mary, afterwards Mrs. Fischer, and
one of his friend, Miss Linley, went to augment this superb
congregation of beauties shown. Portraits of Garrick,--that intensely
interesting Stratford portrait,--Earl Spencer, Pitt, Earl Stanhope,
Colonel St. Leger, George IV., Duke of Cumberland, George III., Earl
Cathcart, Canning, Dr. Johnson, Fox, and several showings of himself,
made up a body of work unsurpassed in importance by that of the
president of the Academy himself.

Gainsborough was born in 1727; he moved to Bath, in its most brilliant
period, in 1760. He died in 1788, but had ceased contributing to the
Academy four years before, because of a disagreement with the hanging
committee. His portraits of ladies were always picturesque and
individual, each differentiated from each of his own works as well as
from that of other painters.

This portrait of the Hon. Mrs. Graham is delicate in color, yellowed
somewhat by its long seclusion from the light,--and will remain one of
the most delightful and _spirituel_ creations of the old-English
school.


Previous Page | Next Page


Books | Photos | Paul Mutton | Sun 29th Dec 2024, 15:53