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Page 1
He also remarks:
"Sketched in circumstances that certainly had their own
disadvantages as well as their special advantages, I present these
drawings only for what they are."
Just because they are what they are they are of enduring interest and
permanent value. They have the vividness of the actual, the convincing
touch of the true.
Mr. Harvey was among the very first to obey the call of "King and
Country," tarrying only, I believe, to finish his afterwards popular
poster of "A Pair of Silk Stockings" for the Criterion production. To
join the Colours as a private soldier, he left his colours as an artist,
throwing up an established and hardly-won position in the world of his
profession, into which--sent home shot and poisoned--he must now fight
his way back. His ante-war experiences of sojourn and travel in India,
South and East Africa, South America, Egypt and the Mediterranean should
again stand him in good stead, for the more an artist has learned the
more comprehensive his treasury of impressions and recollections; the
more he has seen the more he can show. To Mr. Harvey's studies of
Egyptian life, character and customs was undoubtedly attributable the
success of his "Market Scene in Cairo," exhibited in the Royal Academy
of 1909. Purchased by a French connoisseur, this picture brought its
painter several special commissions.
I venture to express the opinion that the simple, direct and soldierly
style in which Mr. Harold Harvey has written the notes that accompany
his illustrations will be appreciated. His reticence as regards his own
doings, the casual nature of his references--where they could not be
avoided--to his personal share in great achievements, manifest a spirit
of self-effacement that is characteristic of the men of the army in
which he fought; men whose like the world has never known.
ROBERT OVERTON.
TO
=LADY ANGELA FORBES=
WHOSE WORK FOR SOLDIERS IN FRANCE AND AT HOME HAS BEEN AS UNTIRING
AS IT HAS BEEN UNOSTENTATIOUS.
CONTENTS
FORENOTE
=ON THE WAY TO THE FRONT.=
Chapter
I.--FROM SOUTHAMPTON TO MALTA
II.--FROM MALTA TO MARSEILLES
III.--FROM MARSEILLES TO ARMENTI�RES
=AT THE FRONT.=
Chapter
IV.--SOME SAMPLE EXCITEMENTS OF LIFE IN THE TRENCHES
V.--THE LIGHTER SIDE OF TRENCH LIFE
VI.--THE "MAKE" OF A BRITISH TRENCH
VII.--THE RUSE OF A GERMAN SNIPER
VIII.--THREE DEATH TRAPS
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