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Page 16
"I miss Kenny but I dare not write to him. Garry, you know how it is.
Unless I brace myself with a lot of temper, he can twist me around his
finger. Even his letters are dangerous. I can't--I won't go back to
sunsets.
"I often think these days of Kenny's wood-fire tales of the shrine of
Black Gartan where St. Columba was born. Colomcille, old Kenny called
him around the wood-fire, didn't he? Colomcille, Kenny said, having
been in exile, knew the homesick pangs himself and therefore could give
the good Irishmen who journeyed to his shrine strength to bear them.
I'm not in exile but there are times when I should be journeyin' off,
as Kenny says when the brogue is on him, to Black Gartan. The curse of
the Celt! Kenny swears there's no homesickness in the world like an
Irishman's passionate longing for home and kin. Not that I long for
the studio. God forbid! Kenny's the symbol for it all.
"I've had some black minutes of remorse. After all I had no earthly
right to blaze out so about the shotgun. And you can't imagine how the
statuette upset me.
"Say hello to Kenny for me, won't you? Tell him I'm brown and lean
already, and that I like the fortunes of the road."
It hurt of course that the letter was Garry's. Nettled at first, Kenny
had half a mind not to read it. Later, why it was Garry's, gave him a
sense of power. Brian was homesick and repentant. And with the fire
of his temper spent he was always manageable. Kenny cursed the miles
between them.
He read the letter again and the poetry of the open road filled his
veins with the fire of inspiration. Tavern of Stars! Old Gaffer Moon,
full-faced and silver! Tree-walls and Dame Wind a-sweeping! Why, the
lad was a poet--a poet like his father. And the big-hearted kindness
of him, thrashing the runaway into sense. Irish temper there! Kenny
felt a passionate thrill of pride in his offspring. Yes, Brian was
like his father, thank God, even to the Celtic curse of homesickness.
"But to think of him," he marveled in a wave of tenderness, "living in
a corncrib on seven cents a day!"
Again and again he read between the lines, finding sanity and sense,
compassion and humor. The inherited charm of Brian's personality
filled him with intense delight.
"Always," Kenny remembered, "he must be taking care of someone."
It gave him a sharp pang of jealousy that that someone was a stranger.
But the thrill of penance was in his blood. If Brian was big enough to
see himself in the wrong, no less was Kennicott O'Neill, his
unsuccessful father. And he had driven Brian forth upon the road. For
that he must atone.
That the solution of everything now lay at hand, Kenny never doubted.
Already he had rocketed sentimentally into inspiration. If a certain
vagueness of detail sent him roving abstractedly around the studio with
the letter in his hand, the inspiration in itself was amazingly clear.
Yes, he would fare forth and find Brian. He would tramp every mile of
the road as Brian had done. He would find the farmhouse, the wood and
the river! There happily would be some clue or other that he needed.
And Kenny, in rags and penitential, his feet blistered by the hardships
of the road, would overtake his son and apologize for everything. Nay,
more, he would promise anything. After that the rest would be easy.
Brian had written it there in a letter. Kenny could wind his son
around his finger. Yes, it was all quite clear. And Brian helpfully
would be shocked and thrilled at the sacrificial tribute of penance.
Kenny pursed his lips and nodded. He would even concede the sunsets.
That, after John Whitaker's cold-blooded misinterpretation, was
necessary to his own self-respect--and Brian's happiness.
Ah, love was the only thing in the world that counted, love and art.
Not the love of woman, which was after all but an intermittent
intoxicant, but the love of one's own.
Kenny pitied in foretaste the ragged parent who would come upon the
camp fire of his son, picturesque and repentant, and dramatized the
meeting, a lump in his throat. Emotionally it was complex to be actor
and audience both. Thank God, he reflected, as he opened a closet
door, dragged forth a battered multitude of bags and suit cases and
began an impatient upheaval of bureau drawers, he was a man of action.
When Garry entered a half hour later he found the studio floor littered
with preparation.
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