The Mirror of Literature, Amusement, and Instruction by Various


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The Project Gutenberg EBook of The Mirror of Literature, Amusement, and
Instruction, by Various

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net


Title: The Mirror of Literature, Amusement, and Instruction
Volume 10, No. 277, October 13, 1827

Author: Various

Release Date: May 30, 2005 [EBook #15944]

Language: English

Character set encoding: ISO-8859-1

*** START OF THIS PROJECT GUTENBERG EBOOK THE MIRROR OF LITERATURE ***




Produced by Jonathan Ingram, David Garcia and the Online
Distributed Proofreading Team.









* * * * *

THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION.

VOL. X, NO. 277.] SATURDAY, OCTOBER 13, 1827. [PRICE 2d.

* * * * *

[Illustration: The Palace at Stockholm.]




THE PALACE AT STOCKHOLM.


The palace at Stockholm is the redeeming grace of that city.--Stockholm
"not being able to boast any considerable place or square, nor indeed
any street wider than an English lane; the exterior of the houses is
dirty, the architecture shabby, and all strikes as very low and
confined. Yet the palace must be excepted; and that is commanding, and
in a grand and simple taste." Such is the description of Stockholm by
Sir Robert Ker Porter; but, as he admits, he had just left the city of
St. Petersburgh, and being probably dazzled with the freshness of its
splendour, Stockholm suffered in the contrast.

But Sir R.K. Porter is not entirely unsupported in his opinion. Mr.
James, in his interesting "Journal of a Tour in Sweden, &c." published
in 1816, describes the suburbs of Stockholm as "uniting every beauty of
wild nature, with the charms attendant upon the scenes of more active
life; but the examples of architecture within the town, if we except the
mansions of the royal family, are not of a style at all corresponding
with these delightful environs. The private houses make but little show;
and the general air of the public buildings is not of the first style of
magnitude, or in any way remarkable for good taste. One point, however,
may be selected, that exhibits in a single prospect all that the capital
can boast of this description. There is a long bridge of granite,
connecting the city in the centre with the northern quarters of the
town: immediately at one extremity rises the _royal palace_, a
large square edifice, with extensive wings, and of the most simple and
elegant contour; the other extremity is terminated by an equestrian
statue of Gustavus Adolphus, forming the chief object of a square, that
is bounded on the sides by handsome edifices of the Corinthian order;
one the palace of the Princess Sophia, the other the Italian
Opera-house."

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Books | Photos | Paul Mutton | Tue 25th Apr 2017, 22:21