Plum Pudding by Christopher Morley


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Page 64

Soon he came back (having conferred, as we could see out of the wing
of our eye) with his boss. "What was it you ordered?" he said.

"Sausages," we replied, urbanely, "and some of the red wine."

"I don't remember having served you before," he said. "I can't give
you anything like that."

We saw that we must win his confidence and we thought rapidly. "It's
perfectly all right," we said. "Mr. Bennett" (we said, seizing the
first name that came into our head), "who comes here every day, told
me about it. You know Mr. Bennett; he works over on Forty-second
Street and comes here right along."

Again he departed, but returned anon with smiling visage. "If you're
a friend of Mr. Bennett's," he said, "it's all right. You know, we
have to be careful."

"Quite right," we said; "be wary." And we laid hand firmly on the
fine hemorrhage of the grape.

A little later in the adventure, when we were asked what dessert we
would have, we found stewed rhubarb on the menu, and very fine
stewed rhubarb it was; wherefore we say that our time was not
ill-spent and we shall keep the secret to ourself.

But we can't help feeling grateful to Mr. Bennett, whoever he is.

* * * * *

Occasionally (but not often) in the exciting plexus of our affairs
(conducted, as we try to persuade ourself, with so judicious a
jointure of caution and hilarity) we find it necessary to remain in
town for dinner. Then, and particularly in spring evenings, we are
moved and exhilarated by that spectacle that never loses its
enchantment, the golden beauty and glamour of downtown New York
after the homeward ebb has left the streets quiet and lonely. By six
o'clock in a May sunset the office is a cloister of delicious peace
and solitude. Let us suppose (oh, a case merely hypothetic) that you
have got to attend a dinner somewhere in the Forties, say at
half-past seven; and it is requisite that evening clothes should be
worn. You have brought them to the office, modestly hidden, in a
bag; and in that almost unbelievable privacy, toward half-past six,
you have an enjoyable half hour of luxurious amusement and
contemplation. The office, one repeats, is completely stripped of
tenants--save perhaps an occasional grumbling sortie by the veteran
janitor. So all its resources are open for you to use as boudoir.
Now, in an office situated like this there is, at sunset time, a
variety of scenic richness to be contemplated. From the President's
office (putting on one's hard-boiled shirt) one can look down upon
St. Paul's churchyard, lying a pool of pale blue shadow in the
rising dusk. From the City Room (inserting studs) one sees the river
sheeted with light. From the office of the Literary Editor (lacing
up one's shoes) one may study the wild pinnacle of Woolworth,
faintly superfused with a brightness of gold and pink. From the
office of one of our dramatic critics the view is negligible (being
but a hardy brick wall), but the critic, debonair creature, has a
small mirror of his own, so there one manages the ticklish business
of the cravat. And from our own kennel, where are transacted the
last touches (transfer of pipe, tobacco, matches, Long Island
railroad timetable, commutation ticket, etc., to the other pockets)
there is a heavenly purview of those tall cliffs of lower Broadway,
nobly terraced into the soft, translucent sky. In that exquisite
clarity and sharpness of New York's evening light are a loveliness
and a gallantry hardly to be endured. At seven o'clock of a May
evening it is poetry unspeakable. O magnificent city (one says),
there will come a day when others will worship and celebrate your
mystery; and when not one of them will know or care how much I loved
you. But these words, obscure and perishable, I leave you as a
testimony that I also understood.

She cannot be merely the cruel Babel they like to describe her: the
sunset light would not gild her so tenderly.

* * * * *

It was a great relief to us yesterday evening to see a man reading a
book in the subway. We have undergone so many embarrassments trying
to make out the titles of the books the ladies read, without running
afoul of the Traveller's Aid Society, that we heaved a sigh of
relief and proceeded to stalk our quarry with a light heart. Let us
explain that on a crowded train it is not such an easy task. You see
your victim at the other end of the car. First you have to buffet
your way until you get next to him. Then, just as you think you are
in a position to do a little careful snooping, he innocently shifts
the book to the other hand. This means you have got to navigate,
somehow, toward the hang-handle on the other side of him. Very well.
By the time the train gets to Bowling Green we have seen that it is
a fattish book, bound in green cloth, and the author's name begins
with FRAN. That doesn't help much. As the train roars under the
river you manage, by leanings and twistings, to see the publisher's
name--in this case, Longmans. At Borough Hall a number of passengers
get out, and the hunted reader sits down. Ten to one he will hold
the book in such a way that you cannot see the title. At Nevins
Street you get a seat beside him. At Atlantic Avenue, as he is
getting off, you propose your head over his shoulder in the jam on
the stairs and see what you are after. "Lychgate Hall," by M.E.
Francis. And in this case, success left us none the wiser.

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Books | Photos | Paul Mutton | Sat 17th Jan 2026, 8:05