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Page 5
and he would shout with merriment. Beaded bubbles winking at the
brim; Throbbing throats' long, long melodious moan; Curious
conscience burrowing like a mole; Emprison her soft hand and let her
rave; Men slugs and human serpentry; Bade her steep her hair in
weird syrops; Poor weak palsy-stricken churchyard thing; Shut her
pure sorrow-drops with glad exclaim--such lines were to him a
constant and exhilarating excitement. In the very simplicity and
unsophistication of his approach to the poet was a virgin na�vet� of
discernment that an Edinburgh Reviewer would rarely attain. Here, he
dimly felt, was the great key
To golden palaces, strange minstrelsy,
... aye, to all the mazy world
Of silvery enchantment.
And in line after line of Endymion, as we pored over them together,
he found the clear happiness of a magic that dissolved everything
into lightness and freedom. It is agreeable to remember this man,
preparing to be a building contractor, who loved Keats because he
made him laugh. I wonder if the critics have not too insistently
persuaded us to read our poet in a black-edged mood? After all, his
nickname was "Junkets."
* * * * *
So it was that I first, in any transcending sense, fell under the
empire of a poet. Here was an endless fountain of immortal drink:
here was a history potent to send a young mind from its bodily
tenement. The pleasure was too personal to be completely shared; for
the most part J---- and I read not together, but each by each, he
sitting in his morris chair by the desk, I sprawled upon his couch,
reading, very likely, different poems, but communicating, now and
then, a sudden discovery. Probably I exaggerate the subtlety of our
enjoyment, for it is hard to review the unself-scrutinizing moods of
freshmanhood. It would be hard, too, to say which enthusiast had the
greater enjoyment: he, because these glimpses through magic
casements made him merry; I, because they made me sad. Outside, the
snow sparkled in the pure winter night; the long lance windows of
the college library shone yellow-panelled through the darkness, and
there would be the occasional interruption of light-hearted
classmates. How perfectly it all chimed into the mood of St. Agnes'
Eve! The opening door would bring a gust of lively sound from down
the corridor, a swelling jingle of music, shouts from some humorous
"rough-house" (probably those sophomores on the floor below)--
The boisterous, midnight, festive clarion
The kettle-drum, and far-heard clarionet
Affray his ears, though but in dying tone--
The hall-door shuts again, and all the noise is gone.
It did not take very long for J---- to work through the fifty pages
of Keats reprinted in Professor Hidden Page's anthology; and then
he, a lone and laughing faun among that pack of stern sophomores--so
flewed, so sanded, out of the Spartan kind, crook-knee'd and
dewlapped like Thessalian bulls--sped away into thickets of Landor,
Tennyson, the Brownings. There I, an unprivileged and unsuspected
hanger-on, lost their trail, returning to my own affairs. For some
reason--I don't know just why--I never "took" that course in
Nineteenth Century Poets, in the classroom at any rate. But just as
Mr. Chesterton, in his glorious little book, "The Victorian Age in
Literature," asserts that the most important event in English
history was the event that never happened at all (you yourself may
look up his explanation) so perhaps the college course that meant
most to me was the one I never attended. What it meant to those
sophomores of the class of 1909 is another gentle speculation. Three
years later, when I was a senior, and those sophomores had left
college, another youth and myself were idly prowling about a
dormitory corridor where some of those same sophomores had
previously lodged. An unsuspected cupboard appeared to us, and
rummaging in it we found a pile of books left there, forgotten, by a
member of that class. It was a Saturday afternoon, and my companion
and I had been wondering how we could raise enough cash to go to
town for dinner and a little harmless revel. To shove those books
into a suitcase and hasten to Philadelphia by trolley was the
obvious caper; and Leary's famous old bookstore ransomed the volumes
for enough money to provide an excellent dinner at Lauber's, where,
in those days, the thirty-cent bottle of sour claret was considered
the true, the blushful Hippocrene. But among the volumes was a copy
of Professor Page's anthology which had been used by one of J----'s
companions in that poetry course. This seemed to me too precious to
part with, so I retained it; still have it; and have occasionally
studied the former owner's marginal memoranda. At the head of The
Eve of St. Agnes he wrote: "Middle Ages. N. Italy. Guelph,
Guibilline." At the beginning of Endymion he recorded: "Keats tries
to be spiritualized by love for celestials." Against Sleep and
Poetry: "Desultory. Genius in the larval state." The Ode on a
Grecian Urn, he noted: "Crystallized philosophy of idealism.
Embalmed anticipation." The Ode on Melancholy: "Non-Gothic. Not of
intellect or disease. Emotions."
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