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Page 24
But we had one great disappointment. For an hour or so we read a
rubbishy novel, thinking to ourself that when the Max Beerbohm
Express reached that lovely Huntington Valley neighbourhood, we
would lay down the book and study the scenery, which we know by
heart. When we came to the Neshaminy, that blithe little green
river, we were all ready to be thrilled. And then the train swung
away to the left along the cut-off to Wayne Junction and we missed
our bright Arcadia. We had wanted to see again the little cottage at
Meadowbrook (so like the hunting lodge in the forest in "The
Prisoner of Zenda") which a suasive real-estate man once tried to
rent to us. (Philadelphia realtors are no less ingenious than the
New York species.) We wanted to see again the old barn, rebuilt by
an artist, at Bethayres, which he also tried to rent to us. We
wanted to see again the queer "desirable residence" (near the gas
tanks at Marathon) which he did rent us. But we had to content
ourself with the scenery along the cut-off, which is pleasant enough
in its way--there is a brown-green brook along a valley where a
buggy was crawling down a lane among willow trees in a wealth of
sunlight. And the dandelions are all out in those parts. Yes, it was
a lovely morning. We found ourself pierced by the kind of mysterious
placid melancholy that we only enjoy to the full in a Reading
smoker, when, for some unknown reason, hymn tunes come humming into
our head and we are alarmed to notice ourself falling in love with
humanity as a whole.
We could write a whole newspaper page about travelling to Philly on
the Reading. Consider those little back gardens near Wayne Junction,
how delightfully clean, neat, domestic, demure. Compare entering New
York toward the Grand Central, down that narrow frowning alleyway of
apartment house backs, with imprisoned children leaning from barred
windows. But as you spin toward Wayne Junction you see acres and
acres of trim little houses, each with a bright patch of turf. Here
is a woman in a blue dress and white cap, busily belabouring a rug
on the grass. The bank of the cutting by Wayne Junction is thick
with a tangle of rosebushes which will presently be in blossom; we
know them well. Spring Garden Street: if you know where to look you
can catch a blink of Edgar Allan Poe's little house. Through a
jumble of queer old brick chimneys and dormers, and here we are at
the Reading Terminal, with its familiar bitter smell of coal gas.
Of course we stop to have a look at the engine, one of those
splendid Reading locos with the three great driving wheels. Splendid
things, the big Reading locos; when they halt they pant so
cheerfully and noisily, like huge dogs, much louder than any other
engines. We always expect to see an enormous red tongue running in
and out over the cowcatcher. Vast thick pants, as the poet said in
"Khubla Khan." We can't remember if he wore them, or breathed them,
but there it is in the poem; look it up. Reading engineers, too,
always give us a sense of security. They have gray hair, cropped
very close. They have a benign look, rather like Walt Whitman if he
were shaved. We wrote a poem about one of them once, Tom Hartzell,
who used to take the 5:12 express out of Jersey City.
Philadelphia, incidentally, is the only large city where the Dime
Museum business still flourishes. For the first thing we see on
leaving the Terminal is that the old Bingham Hotel is now The
World's Museum, given over to Ursa the Bear Girl and similar
excitements. But where is the beautiful girl with slick dark hair
who used to be at the Reading terminal news-stand?
How much more we could tell you about travelling on the Reading! We
would like to tell you about the queer assortment of books we
brought back with us. (There were twelve men in the smoker, coming
home.) We could tell how we tried to buy, without being observed, a
magazine which we will call _Foamy Fiction_, in order to see what
the new editor (a friend of ours) is printing. Also, we always buy a
volume of Gissing when we go to Philly, and this time we found "In
the Year of Jubilee" in the shop of Jerry Cullen, the delightful
bookseller who used to be so redheaded, but is getting over it now
in the most logical way. We could tell you about the lovely old
whitewashed stone farmhouses (with barns painted red on behalf of
Schenk's Mandrake Pills) and about the famous curve near Roelofs, so
called because the soup rolls off the table in the dining car when
they take the curve at full speed; and about Bound Brook, which has
a prodigious dump of tin cans that catches the setting sunlight----
It makes us sad to think that a hundred years hence people will be
travelling along that road and never know how much we loved it. They
will be doing so to-morrow, too; but it seems more mournful to think
about the people a hundred years hence.
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