Grey Roses by Henry Harland


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Page 3

Ah, those afternoons, those dinners, those ambrosial nights! If the
weather was kind, of course, we would begin our session on the
_terrasse_, sipping our vermouth, puffing our cigarettes, laughing our
laughs, tossing hither and thither our light ball of gossip, vaguely
conscious of the perpetual ebb and flow and murmur of people in the
Boulevard, while the setting sun turned Paris to a marvellous
water-colour, all pale lucent tints, amber and alabaster and
mother-of-pearl, with amethystine shadows. Then, one by one, those of
us who were dining elsewhere would slip away; and at a sign from
Hippolyte the others would move indoors, and take their places down
either side of the long narrow table, Childe at the head, his daughter
Nina next him. And presently with what a clatter of knives and forks,
clinking of glasses, and babble of human voices the Caf� Bleu would
echo. Madame Chanve's kitchen was not a thing to boast of, and her
price, for the Latin Quarter, was rather high--I think we paid three
francs, wine included, which would be for most of us distinctly a
_prix-de-luxe_. But oh, it was such fun; we were so young; Childe was
so delightful. The fun was best, of course, when we were few, and
could all sit up near to him, and none need lose a word. When we were
many there would be something like a scramble for good seats.

I ask myself whether, if I could hear him again to-day, I should think
his talk as wondrous as I thought it then. Then I could thrill at the
verse of Musset, and linger lovingly over the prose of Th�ophile, I
could laugh at the wit of Gustave Droz, and weep at the pathos ... it
costs me a pang to own it, but yes, I'm afraid ... I could weep at
the pathos of Henry M�rger; and these have all suffered such a sad
sea-change since. So I could sit, hour after hour, in a sort of
ecstasy, listening to the talk of Nina's father. It flowed from him
like wine from a full measure, easily, smoothly, abundantly. He had a
ripe, genial voice, and an enunciation that made crystals of his
words; whilst his range of subjects was as wide as the earth and the
sky. He would talk to you of God and man, of metaphysics, ethics, the
last new play, murder, or change of ministry; of books, of pictures,
specifically, or of the general principles of literature and painting;
of people, of sunsets, of Italy, of the high seas, of the Paris
streets--of what, in fine, you pleased. Or he would spin you yarns,
sober, farcical, veridical, or invented. And, with transitions
infinitely rapid, he would be serious, jocose--solemn, ribald--earnest,
flippant--logical, whimsical, turn and turn about. And in every
sentence, in its form or in its substance, he would wrap a surprise
for you--it was the unexpected word, the unexpected assertion,
sentiment, conclusion, that constantly arrived. Meanwhile it would
enhance your enjoyment mightily to watch his physiognomy, the
movements of his great, grey, shaggy head, the lightening and
darkening of his eyes, his smile, his frown, his occasional slight
shrug or gesture. But the oddest thing was this, that he could take as
well as give; he could listen--surely a rare talent in a monologist.
Indeed, I have never known a man who could make _you_ feel so
interesting.

After dinner he would light an immense brown meerschaum pipe, and
smoke for a quarter-hour or so in silence; then he would play a game
or two of chess with some one; and by and by he would open his piano,
and sing to us till midnight.


IV.

I speak of him as old, and indeed we always called him Old Childe
among ourselves; yet he was barely fifty. Nina, when I first made her
acquaintance, must have been a girl of sixteen or seventeen;
though--tall, with an amply-rounded, mature-seeming figure--if one
had judged from her appearance, one would have fancied her three or
four years older. For that matter, she looked then very much as she
looks now; I can perceive scarcely any alteration. She had the same
dark hair, gathered up in a big smooth knot behind, and breaking into
a tumult of little ringlets over her forehead; the same clear,
sensitive complexion; the same rather large, full-lipped mouth,
tip-tilted nose, soft chin, and merry mischievous eyes. She moved in
the same way, with the same leisurely, almost lazy grace, that could,
however, on occasions, quicken to an alert, elastic vivacity; she had
the same voice, a trifle deeper than most women's, and of a quality
never so delicately nasal, which made it racy and characteristic; the
same fresh ready laughter. There was something arch, something a
little sceptical, a little quizzical in her expression, as if,
perhaps, she were disposed to take the world, more or less, with a
grain of salt; at the same time there was something rich,
warm-blooded, luxurious, suggesting that she would know how to savour
its pleasantnesses with complete enjoyment. But if you felt that she
was by way of being the least bit satirical in her view of things, you
felt too that she was altogether good-natured, and even that, at need,
she could show herself spontaneously kind, generous, devoted. And if
you inferred that her temperament inclined rather towards the sensuous
than the ascetic, believe me, it did not lessen her attractiveness.

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Books | Photos | Paul Mutton | Mon 10th Mar 2025, 13:11