Grey Roses by Henry Harland


Main
- books.jibble.org



My Books
- IRC Hacks

Misc. Articles
- Meaning of Jibble
- M4 Su Doku
- Computer Scrapbooking
- Setting up Java
- Bootable Java
- Cookies in Java
- Dynamic Graphs
- Social Shakespeare

External Links
- Paul Mutton
- Jibble Photo Gallery
- Jibble Forums
- Google Landmarks
- Jibble Shop
- Free Books
- Intershot Ltd

books.jibble.org

Previous Page | Next Page

Page 14

I don't know whether all children lack humour; but I'm sure no
grown-up author-manager can take his business more seriously than I
took mine. Oh, I enjoyed it hugely; the hours I spent at it were
enraptured hours; but it was grim, grim earnest. After a while I began
to long for a less subjective public, a more various audience. I would
summon the servants, range them in chairs at one end of the room,
conceal myself behind the theatre, and spout the play with fervid
solemnity. And they would giggle, and make flippant commentaries, and
at my most impassioned climaxes burst into guffaws. My mice, as has
been said, were overfed and lazy, and I used to have to poke them
through their parts with sticks from the wings; but this was a detail
which a superior imagination should have accepted as one of the
conventions of the art. It made the servants laugh, however; and when
I would step to the front in person, and, with tears in my eyes,
beseech them to be sober, they would but laugh the louder. 'Bless you,
sir, they're only mice--_ce ne sont que des souris_,' the cook called
out on one such occasion. She meant it as an apology and a
consolation, but it was the unkindest cut of all. Only mice, indeed!
To me they had been a young gentleman and lady lost in the Desert of
Sahara, near to die for the want of water, and about to be attacked,
captured, and sold into slavery by a band of Bedouin Arabs. Ah, well,
the artist must steel himself to meet with indifference or derision
from the public, to be ignored, misunderstood, or jeered at; and to
rely for his real, his legitimate, reward on the pleasure he finds in
his work.

And now there befell a great change in my life. Our home in Paris was
broken up, and we moved to St. Petersburg. It was impossible to take
my mice with us; their cage would have hopelessly complicated our
impedimenta. So we gave them to the children of our concierge.
Mercedes, however, I was resolved I would not part with, and I carried
her all the way to the Russian capital by hand. In my heart I was
looking to her to found another family--she had so frequently become a
mother in the past. But month succeeded month, and she for ever
disappointed me, and at last I abandoned hope. In solitude and exile
Mercedes degenerated sadly; got monstrously fat; too indolent to gnaw,
let her teeth grow to a preposterous length; and in the end died of a
surfeit of _smetana_.

When I returned to Paris, at the age of twenty, to _faire mon droit_
in the Latin Quarter, I paid a visit to our old house, and discovered
the same old concierge in the _loge_. I asked her about the mice, and
she told me her children had found the care of them such a bother that
at first they had neglected them, and at last allowed them to escape.
'They took to the walls, and for a long time afterwards, Monsieur,
the mice of this neighbourhood were pied. To this day they are of a
paler hue than elsewhere.'




A BROKEN LOOKING-GLASS


He climbed the three flights of stone stairs, and put his key into the
lock; but before he turned it, he stopped--to rest, to take breath. On
the door his name was painted in big white letters, Mr. Richard Dane.
It is always silent in the Temple at midnight; to-night the silence
was dense, like a fog. It was Sunday night; and on Sunday night, even
within the hushed precincts of the Temple, one is conscious of a
deeper hush.

When he had lighted the lamp in his sitting-room, he let himself drop
into an armchair before the empty fireplace. He was tired, he was
exhausted. Yet nothing had happened to tire him. He had dined, as he
always dined on Sundays, with the Rodericks, in Cheyne Walk; he had
driven home in a hansom. There was no reason why he should be tired.
But he was tired. A deadly lassitude penetrated his body and his
spirit, like a fluid. He was too tired to go to bed.

'I suppose I am getting old,' he thought.

To a second person the matter would have appeared not one of
supposition but of certainty, not of progression but of
accomplishment. Getting old indeed? But he _was_ old. It was an old
man, grey and wrinkled and wasted, who sat there, limp, sunken upon
himself, in his easy-chair. In years, to be sure, he was under sixty;
but he looked like a man of seventy-five.

'I am getting old, I suppose I am getting old.'

Previous Page | Next Page


Books | Photos | Paul Mutton | Tue 29th Apr 2025, 23:00