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Page 31
Ruth was silenced for the time being. In fact, Wonota looked upon
mundane matters from such a different angle that it was sometimes
impossible for Ruth to convince her prot�g� that the white man's way was
better.
However, this incident gave Ruth Fielding a warning that she did not
intend to ignore. A little later she told Mr. Hammond of the Indian
girl's suspicion that it was Fenbrook who had been the cause of Ruth's
slight injury. It was too late then to set the police on the track of
the showman, for on making private inquiry Mr. Hammond found that Dakota
Joe's show had already left Brooklyn and was _en route_ for some city in
the Middle West.
"But it seems scarcely probable, Miss Ruth," the producer said, "that
that fellow would take such a chance. And to hurt _you!_ Why, if he had
tried to injure that Indian girl, I might be convinced. She probably saw
somebody in the car with a sombrero on--"
"I noticed two men in that car with broad hats," confessed Ruth. "But I
gave them only a glance. It doesn't seem very sensible to believe that
the man would deliberately hurt me. Yet he did threaten us when he was
angry, there at the mill. No getting around that."
Mr. Hammond shrugged his shoulders and laughed. "You will begin to
believe that the making of moving pictures is a pretty perilous
business."
"It may be." She laughed, yet rather doubtfully. "I am to be on the
watch for the 'hand in the dark,' am I not? At any rate when we are hear
Dakota Joe again, I will keep a very sharp lookout."
"Yes, of course, Miss Ruth, we'll all do that," returned Mr. Hammond,
more seriously now, for he saw that Ruth was really disturbed. "Still,
whatever his intentions, I do not believe Fenbrook will have the power
to do any real harm. At any rate, keep your courage up, for we are
forewarned now, and can take care of ourselves--and of you," he added,
with a smile, as he left her.
CHAPTER XII
BOUND FOR THE NORTHWEST
Because of the accident in which Ruth might have been seriously hurt,
the company was delayed for a day in New York, Altogether the various
shots (some of them of and in one of the tallest office buildings on
Broadway) occupied more than a week--more time than Mr. Hammond wished
to give to the work in the East.
Nevertheless, Ruth's finished script, as handled deftly by the
continuity writer, promised so well that the producer was willing to
make a special production of it. The money--and time--cost were
important factors in the making of the picture; but the selection of the
cast was not to be overlooked. Jim Hooley had chosen the few acting in
the Eastern scenes with Wonota, including the hero, whom, to tell the
truth, the Indian girl considered a rather wonderful person because she
saw him in a dress suit"
"Yes, it is true! No Indian could look so heroic a figure," she
whispered to Ruth. "He looks like--like a nobleman. I have read about
noblemen in the book of an author named Scott--Sir Walter Scott.
Noblemen must look like Mr. Albert Grand."
"And to me he looks like a head waiter," said Ruth, when laughingly
relating this to Helen and Jennie.
"Don't let Mr. Grand hear you say that," warned Helen. "They tell me
that he refuses to appear in any picture where at least once he does not
walk into the scene in a dress suit. He claims his clientele demand
it--he looks so perfectly splendid in the 'soup and fish.'"
"Then why laugh at Wonota?" demanded Jennie Stone. "She is no more
impressed by his surface qualities than are the movie fans who like Mr.
Grand."
"Well, it is a great game," laughed Ruth. "Some of the movie stars have
more laughable eccentricities or idiosyncracies than that. I wonder what
our Wonota will develop if she becomes a star?"
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