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Page 74
Granting, then, that the correct use, not the abuse, of the metronome is
of great assistance in establishing firm rhythmic sense, let us turn
our thought to the fascinating subject of--
TONE COLOR
When De Pachmann affirmed that he uses certain fingers to create certain
effects, the idea was thought to be one of the eccentric pianist's
peculiar fancies. Other players, however, have had the same thought, and
have worked along the same line--the thought that on the fingering used
depends the quality of tone. For instance you might not play an
expressive melody with a consecutive use of the fifth finger, which is
called a "cold finger" by Thuel Burnham. He would use instead the third,
a "warm finger," to give out a soulful melody.
TONAL VARIETY
The pianist who desires to play effectively, must continually strive for
variety of tone, for tonal coloring. These can be studied in scales,
chords, arpeggios and other technical forms. The singer seeks to make a
tone of resonant color, not a straight, flat tone; the pianist, on his
part, endeavors to give color and variety to his playing in the same
way. Harold Bauer thinks variety must be secured by the contrast of one
tone with another. Even a very harsh tone may be beautiful in its right
place, owing to its relation to other tones, and its ability to express
an idea. To render the playing expressive by the contrast of light and
shade, by tonal gradations, by all varieties of touch, by all the
subtleties of _nuance_, is a great art, and only the most gifted ever
master it in its perfection. These are the things that enchant us in
Paderewski's performance, and in the tonal coloring of Gabrilowitsch.
Hofmann's playing is a marvel of atmosphere and color; such playing is
an object lesson to students, a lesson in variety of light and shade,
the shifting of exquisite tonal tints.
The sensitive musician is highly susceptible to color effects in nature,
in art or in objects about him. Certain colors attract him, for he sees
an affinity between them and the tonal effects he strives to produce.
Other colors repel, perhaps for the opposite reason. Brilliant red is a
warlike color, and finds analogous expression in such pieces as Chopin's
Polonaise _Militaire_, and MacDowell's Polonaise. We cannot help seeing,
feeling the color red, when playing such music. Soft pink and rose for
love music, tender blues and shades of gray for nocturnes and night
pieces are some of the affinities of tone and color. Warm shades of
yellow and golden brown suggest an atmosphere of early autumn, while
delicate or vivid greens give thoughts of spring and luscious summer.
Certain pieces of Mozart seem to bring before us the rich greens of a
summer landscape; the Fantaisie in C minor, and the Pastorale Varie are
of this type.
Arthur Hochman says: "Colors mean so much to me; some are so beautiful,
the various shades of red for instance, then the golden yellows, rich
warm browns, and liquid blues. We can make as wonderful combinations in
tone color as ever painter put upon canvas. To me dark red speaks of
something tender, heart-searching, mysterious. On the other hand the
shades of yellow express gaiety and brightness."
It has been said that a pianist should study color effects in order to
express them in his playing. He can do this to special advantage at the
theater or opera, where he can see unrolled before him the greatest
possible variety in light and shade, in colors, and in the constantly
changing panorama of action and emotion.
The pianist can receive many ideas of tone color when listening to a
great singer, and watching the infinite tonal gradations produced on
the "greatest of all instruments," the human voice.
In short the pianist draws from many sources the experience, the feeling
and emotion with which he strives to inspire the tones he evokes from
his instrument. The keener his perceptions, the more he labors, suffers,
and _lives_, the more he will be able to express through his chosen
medium--the piano!
***END OF THE PROJECT GUTENBERG EBOOK PIANO MASTERY***
******* This file should be named 15604-8.txt or 15604-8.zip *******
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