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Page 13
Around the psychical stuff of dream thoughts there are ever found
reminiscences of impressions, not infrequently of early
childhood--scenes which, as a rule, have been visually grasped. Whenever
possible, this portion of the dream ideas exercises a definite influence
upon the modelling of the dream content; it works like a center of
crystallization, by attracting and rearranging the stuff of the dream
thoughts. The scene of the dream is not infrequently nothing but a
modified repetition, complicated by interpolations of events that have
left such an impression; the dream but very seldom reproduces accurate
and unmixed reproductions of real scenes.
The dream content does not, however, consist exclusively of scenes, but
it also includes scattered fragments of visual images, conversations,
and even bits of unchanged thoughts. It will be perhaps to the point if
we instance in the briefest way the means of dramatization which are at
the disposal of the dream work for the repetition of the dream thoughts
in the peculiar language of the dream.
The dream thoughts which we learn from the analysis exhibit themselves
as a psychical complex of the most complicated superstructure. Their
parts stand in the most diverse relationship to each other; they form
backgrounds and foregrounds, stipulations, digressions, illustrations,
demonstrations, and protestations. It may be said to be almost the rule
that one train of thought is followed by its contradictory. No feature
known to our reason whilst awake is absent. If a dream is to grow out of
all this, the psychical matter is submitted to a pressure which
condenses it extremely, to an inner shrinking and displacement, creating
at the same time fresh surfaces, to a selective interweaving among the
constituents best adapted for the construction of these scenes. Having
regard to the origin of this stuff, the term _regression_ can be fairly
applied to this process. The logical chains which hitherto held the
psychical stuff together become lost in this transformation to the dream
content. The dream work takes on, as it were, only the essential content
of the dream thoughts for elaboration. It is left to analysis to restore
the connection which the dream work has destroyed.
The dream's means of expression must therefore be regarded as meager in
comparison with those of our imagination, though the dream does not
renounce all claims to the restitution of logical relation to the dream
thoughts. It rather succeeds with tolerable frequency in replacing these
by formal characters of its own.
By reason of the undoubted connection existing between all the parts of
dream thoughts, the dream is able to embody this matter into a single
scene. It upholds a _logical connection_ as _approximation in time and
space_, just as the painter, who groups all the poets for his picture of
Parnassus who, though they have never been all together on a mountain
peak, yet form ideally a community. The dream continues this method of
presentation in individual dreams, and often when it displays two
elements close together in the dream content it warrants some special
inner connection between what they represent in the dream thoughts. It
should be, moreover, observed that all the dreams of one night prove on
analysis to originate from the same sphere of thought.
The causal connection between two ideas is either left without
presentation, or replaced by two different long portions of dreams one
after the other. This presentation is frequently a reversed one, the
beginning of the dream being the deduction, and its end the hypothesis.
The direct _transformation_ of one thing into another in the dream seems
to serve the relationship of _cause_ and _effect_.
The dream never utters the _alternative "either-or,"_ but accepts both
as having equal rights in the same connection. When "either-or" is used
in the reproduction of dreams, it is, as I have already mentioned, to be
replaced by "_and_."
Conceptions which stand in opposition to one another are preferably
expressed in dreams by the same element.[2] There seems no "not" in
dreams. Opposition between two ideas, the relation of conversion, is
represented in dreams in a very remarkable way. It is expressed by the
reversal of another part of the dream content just as if by way of
appendix. We shall later on deal with another form of expressing
disagreement. The common dream sensation of _movement checked_ serves
the purpose of representing disagreement of impulses--a _conflict of the
will_.
Only one of the logical relationships--that of _similarity, identity,
agreement_--is found highly developed in the mechanism of dream
formation. Dream work makes use of these cases as a starting-point for
condensation, drawing together everything which shows such agreement to
a _fresh unity_.
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