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Page 11
A great deal of what we have called "dream condensation" can be thus
formulated. Each one of the elements of the dream content is
_overdetermined_ by the matter of the dream thoughts; it is not derived
from one element of these thoughts, but from a whole series. These are
not necessarily interconnected in any way, but may belong to the most
diverse spheres of thought. The dream element truly represents all this
disparate matter in the dream content. Analysis, moreover, discloses
another side of the relationship between dream content and dream
thoughts. Just as one element of the dream leads to associations with
several dream thoughts, so, as a rule, the _one dream thought represents
more than one dream element_. The threads of the association do not
simply converge from the dream thoughts to the dream content, but on the
way they overlap and interweave in every way.
Next to the transformation of one thought in the scene (its
"dramatization"), condensation is the most important and most
characteristic feature of the dream work. We have as yet no clue as to
the motive calling for such compression of the content.
In the complicated and intricate dreams with which we are now concerned,
condensation and dramatization do not wholly account for the difference
between dream contents and dream thoughts. There is evidence of a third
factor, which deserves careful consideration.
When I have arrived at an understanding of the dream thoughts by my
analysis I notice, above all, that the matter of the manifest is very
different from that of the latent dream content. That is, I admit, only
an apparent difference which vanishes on closer investigation, for in
the end I find the whole dream content carried out in the dream
thoughts, nearly all the dream thoughts again represented in the dream
content. Nevertheless, there does remain a certain amount of difference.
The essential content which stood out clearly and broadly in the dream
must, after analysis, rest satisfied with a very subordinate r�le among
the dream thoughts. These very dream thoughts which, going by my
feelings, have a claim to the greatest importance are either not present
at all in the dream content, or are represented by some remote allusion
in some obscure region of the dream. I can thus describe these
phenomena: _During the dream work the psychical intensity of those
thoughts and conceptions to which it properly pertains flows to others
which, in my judgment, have no claim to such emphasis_. There is no
other process which contributes so much to concealment of the dream's
meaning and to make the connection between the dream content and dream
ideas irrecognizable. During this process, which I will call _the dream
displacement_, I notice also the psychical intensity, significance, or
emotional nature of the thoughts become transposed in sensory vividness.
What was clearest in the dream seems to me, without further
consideration, the most important; but often in some obscure element of
the dream I can recognize the most direct offspring of the principal
dream thought.
I could only designate this dream displacement as the _transvaluation of
psychical values_. The phenomena will not have been considered in all
its bearings unless I add that this displacement or transvaluation is
shared by different dreams in extremely varying degrees. There are
dreams which take place almost without any displacement. These have the
same time, meaning, and intelligibility as we found in the dreams which
recorded a desire. In other dreams not a bit of the dream idea has
retained its own psychical value, or everything essential in these dream
ideas has been replaced by unessentials, whilst every kind of transition
between these conditions can be found. The more obscure and intricate a
dream is, the greater is the part to be ascribed to the impetus of
displacement in its formation.
The example that we chose for analysis shows, at least, this much of
displacement--that its content has a different center of interest from
that of the dream ideas. In the forefront of the dream content the main
scene appears as if a woman wished to make advances to me; in the dream
idea the chief interest rests on the desire to enjoy disinterested love
which shall "cost nothing"; this idea lies at the back of the talk about
the beautiful eyes and the far-fetched allusion to "spinach."
If we abolish the dream displacement, we attain through analysis quite
certain conclusions regarding two problems of the dream which are most
disputed--as to what provokes a dream at all, and as to the connection
of the dream with our waking life. There are dreams which at once expose
their links with the events of the day; in others no trace of such a
connection can be found. By the aid of analysis it can be shown that
every dream, without any exception, is linked up with our impression of
the day, or perhaps it would be more correct to say of the day previous
to the dream. The impressions which have incited the dream may be so
important that we are not surprised at our being occupied with them
whilst awake; in this case we are right in saying that the dream carries
on the chief interest of our waking life. More usually, however, when
the dream contains anything relating to the impressions of the day, it
is so trivial, unimportant, and so deserving of oblivion, that we can
only recall it with an effort. The dream content appears, then, even
when coherent and intelligible, to be concerned with those indifferent
trifles of thought undeserving of our waking interest. The depreciation
of dreams is largely due to the predominance of the indifferent and the
worthless in their content.
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