Love Stories by Mary Roberts Rinehart


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Page 5

Then, on the afternoon of the third day, rolling back toward the
elevator and the _terra incognita_ which lay beyond, he saw a sign.
He stared at it blankly, because it interfered considerably with a
plan he had in mind. The sign was of tin, and it said:

"No private patients allowed beyond here."

Twenty-two sat in his chair and stared at it. The plaster cast
stretched out in front of him, and was covered by a grey blanket.
With the exception of the trifling formality of trousers, he was
well dressed in a sack coat, a shirt, waistcoat, and a sort of
college-boy collar and tie, which one of the orderlies had purchased
for him. His other things were in that extremely expensive English
car which the city was storing.

The plain truth is that Twenty-two was looking for Jane Brown. Since
she had not come to him, he must go to her. He particularly wanted
to set her right as to Mabel. And he felt, too, that that trick
about respirations had not been entirely fair.

He was, of course, not in the slightest degree in love with her. He
had only seen her once, and then he had had a broken leg and a
quarter grain of morphia and a burned moustache and no eyebrows left
to speak of.

But there was the sign. It was hung to a nail beside the elevator
shaft. And far beyond, down the corridor, was somebody in a blue
dress and no cap. It might be anybody, but again----

Twenty-two looked around. The elevator had just gone down at its
usual rate of a mile every two hours. In the convalescent parlour,
where private patients _en neglig�e_ complained about the hospital
food, the nurse in charge was making a new cap. Over all the
hospital brooded an after-luncheon peace.

Twenty-two wheeled up under the sign and considered his average of
ninety-seven per cent. Followed in sequence these events: (a)
Twenty-two wheeled back to the parlour, where old Mr. Simond's cane
leaned against a table, and, while engaging that gentleman in
conversation, possessed himself of the cane. (b) Wheeled back to the
elevator. (c) Drew cane from beneath blanket. (d) Unhooked sign with
cane and concealed both under blanket. (e) Worked his way back along
the forbidden territory, past I and J until he came to H ward.

Jane Brown was in H ward.

She was alone, and looking very professional. There is nothing quite
so professional as a new nurse. She had, indeed, reached a point
where, if she took a pulse three times, she got somewhat similar
results. There had been a time when they had run something like
this: 56--80--120----

Jane Brown was taking pulses. It was a visiting day, and all the
beds had fresh white spreads, tucked in neatly at the foot. In the
exact middle of the centre table with its red cloth, was a vase of
yellow tulips. The sun came in and turned them to golden flame.

Jane Brown was on duty alone and taking pulses with one eye while
she watched the visitors with the other. She did the watching better
than she did the pulses. For instance, she was distinctly aware that
Stanislas Krzykolski's wife, in the bed next the end, had just slid
a half-dozen greasy cakes, sprinkled with sugar, under his pillow.
She knew, however, that not only grease but love was in those cakes,
and she did not intend to confiscate them until after Mrs.
Krzykolski had gone.

More visitors came. Shuffling and self-conscious mill-workers,
walking on their toes; draggled women; a Chinese boy; a girl with a
rouged face and a too confident manner. A hum of conversation hung
over the long room. The sunlight came in and turned to glory, not
only the tulips and the red tablecloth, but also the brass basins,
the fireplace fender, and the Probationer's hair.

Twenty-two sat unnoticed in the doorway. A young girl, very lame,
with a mandolin, had just entered the ward. In the little stir of
her arrival, Twenty-two had time to see that Jane Brown was worth
even all the trouble he had taken, and more. Really, to see Jane
Brown properly, she should have always been seen in the sun. She was
that sort.

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Books | Photos | Paul Mutton | Thu 3rd Apr 2025, 22:58