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Page 4
The author of "The Truce of God" was born in Baltimore, July 31, 1824;
he died at Emmitsburg, July 23, 1872. In his twelfth year the lad
entered Mount St. Mary's College. Here he became a Catholic and had
afterwards the happiness of seeing his family follow him into the
Church. The studies at the "Mountain" in those days were still under the
magic and salutary spell of the venerable founder, Bishop Dubois, and
his followers. They were old fashioned, but they were solid, with the
classics of Greece and Rome, mathematics, philosophy and religion as
their foundation. They were eminently calculated to mold thinkers,
scholars and cultured Catholic gentlemen. They left a deep impression on
the young Marylander. After his graduation at the end of the scholastic
year, 1843, the law for a short while lured him away, to its digests,
its quiddits and quillets, abstracts and briefs. But it was putting
Pegasus in pound. Miles at a lawyer's task was as much out of place as
Edgar Allan Poe was when mounting guard as a cadet at West Point, or
Charles Lamb with a quill behind his ear balancing his ledger in India
House. The Mountain and the Muses lured him back to Emmitsburg, where a
short distance from the college gate, in the quiet retreat of
Thornbrook, he settled to his books and a professor's tasks at the
Mount. Close by were the lovely haunts of La Salette, Hillside, Loretto,
Tanglewood, Andorra, Mt. Carmel, every little cottage and garden,
eloquent, it has been said, of the faith and piety of the builders of
the Mount, who breathed the spirit that thus baptized them ("The Story
of the Mountain. Mount St. Mary's College and Seminary, Emmitsburg,
Maryland." By the Rev. E. McSweeny. Vol. II, p. 102). For its historic
associations, its panorama of hills, wooded slopes and fields, the spot
could scarcely be matched within the wide amphitheater of the hills of
Maryland.
To Emmitsburg, to his "boys", the young professor of English literature
gave his enthusiasm, his idealism, his love of all that was fair in art
and the world of books. His enthusiasm inspired them with a love of
artistic excellence, which, neither in his own work, nor in that of his
pupils would tolerate anything commonplace. Before coming to Thornbrook,
he had written "The Truce of God," first published as a serial in the
_United States Catholic Magazine_, established by John Murphy of
Baltimore, and which under the editorship of Bishop Martin John Spalding
and the Rev. Charles I. White achieved a national reputation. Two other
tales, "Loretto," and the "Governess," had also been published and were
extremely popular. Like "The Truce of God," they were of the purest
moral tone, elegant in diction, the work of a thorough literary
craftsman. In 1850, the American actor, Edwin Forrest, offered a prize
of $1,000.00 for the best drama written by an American. Miles easily
carried off the reward with his play "Mohammed." Rich with all the
colors of the East, glowing with the warmth and poetry of Arabian
romance and story, "Mohammed" was rather the work of a thinker and a
poet than of a master dramatist. It was never acted, Forrest himself
judging that it had not that ebb and flow of passion, nor that strong
presentation of character which of all things are so necessary for the
stage. Yet in other plays, notably in "_Se�or Valiente_" and especially
in "_De Soto_," and "Mary's Birthday," Miles showed that in him the
dramatic note was not lacking, and in both he scored remarkable
successes.
From Baltimore, after he had left the pursuit of the law, and from
Thornbrook, close to the academic halls in which from 1859 he passed his
entire life, Miles seldom emerged into public notice. Twice he visited
Europe, his impressions of the second journey (1864) being recorded in
"Glimpses of Tuscany." In 1851 President Fillmore sent him on a
confidential mission to Madrid. That same year, John Howard Payne, the
loved singer of "Home, Sweet Home," was reinstated in his consulship of
Tunis. Like Miles, that wandering bard was a convert to the Catholic
Faith. But unlike Miles, he did not enter the Church until the very end
of his life, practically on his death bed. Catholics will be glad to
know that the song, "Home, Sweet Home," whose underlying melody Payne
caught from the lips of an Italian peasant girl, was written by one who,
after many strange wanderings, found "Home" at last in that Church which
is the mistress and inspirer of art. Like Payne, Miles captured the
fancy of his countrymen with one song, "Said the Rose," which at one
time was the most popular song in the United States. It has not the
depth and the melting tenderness of "Home, Sweet Home," but its quaint
fancy and melodious verse struck a responsive chord. In his "Inkerman,"
a stirring ballad, which every American boy of a former age knew by
heart, there was an echo of the "Lays of Ancient Rome," of the "Lays" of
Scott and Aytoun, while in the more ambitious "Christine" (1866), there
was the accent of the genuine poet, something that recalled the
"Christabel" of Coleridge. Miles had projected a series of studies on
the characters and plays of Shakespeare. Judging from two remaining
fragments, "Hamlet" and "Macbeth," the latter a mere outline, we regret
that the writer was not able to finish the task. To beauty of language
his study of "Hamlet" adds keen analytical powers and original views.
("An American Catholic Poet," _The Catholic World_. Vol. XXXIII, p. 145
ff.)
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